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War and Anime in the Age of Machine-Oriented Ontology : The Case of OSHII Mamoru
https://wako.repo.nii.ac.jp/records/4077
https://wako.repo.nii.ac.jp/records/4077c88fbcf7-7154-4aae-bd7a-c6ce1c6e2b46
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
h1605.pdf (87.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2016-06-06 | |||||
| タイトル | ||||||
| タイトル | War and Anime in the Age of Machine-Oriented Ontology : The Case of OSHII Mamoru | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
UENO, Toshiya
× UENO, Toshiya |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper explores Oshii Mamoru's films and animations. First, his view of the cinematic citation (appropriation) is analyzed in some comparison with Jean-Luc Godard. Second, his preoccupation with the plot of the weird duality between reality and dream is examined with plural contexts of cultural avant-garde in the 20th century. Third, the question of why Oshii Mmoru has been so much interested in the warfare in his works. Through the series of problematics, this essay would locate his perspective in some philosophical and ontological debates, in which Deleuze & Guattari and others must be addressed. Then, his insightful but provocative statements on the war and history are interpreted in the philosophical streamwhich I would like to call Machine-Oriented Ontology. | |||||
| 書誌情報 |
表現学部紀要 en : The bulletin of the Faculty of Representational Studies 巻 16, p. 21-31, 発行日 2016-03-11 |
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| 出版者 | ||||||
| 出版者 | 和光大学表現学部 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13463470 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11523684 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
