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<3) SHUNGA IN KYOTO AND OSAKA>Nishikawa Sukenobu : One Hundred Women, Two Stories, and a Reconsideration
https://doi.org/10.15055/00000166
https://doi.org/10.15055/00000166233737fe-b5e4-4ffa-b355-075d1c200f22
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2013-12-12 | |||||
タイトル | ||||||
タイトル | <3) SHUNGA IN KYOTO AND OSAKA>Nishikawa Sukenobu : One Hundred Women, Two Stories, and a Reconsideration | |||||
言語 | en | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15055/00000166 | |||||
ID登録タイプ | JaLC | |||||
著者 |
GARCIA, RODRIGUEZ Amaury A.
× GARCIA, RODRIGUEZ Amaury A. |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In 1911 the journals and fierce enemy of censorship, Miyatake Gaikotsu 宮武外骨 (1867-1955), rescued some old references about the publication ban, in 1723, of a purportedly erotic sequel to the book Hyakunin joro shina sadame, by the famous Kyoto artist Nishikawa Sukenobu (1671-1750). Those references apparently turn this book into one of the first and rare examples of direct Edo period prohibition of sexually explicit material. Miyatake explores some other important cases in his Hikka shi 筆禍史. Yet, despite the many years that have passed since 1911, until now thisparticular episode has been dismissed, probably because of issues with credibility regarding Miyatake himself and the uncertainties about the existence of copies of the erotic book in question. However, is Miyatake's argument really so baseless? What are the sources that Miyatake uses in his attempt to historicize the censorship of publications in Japan? Is it possible to find suitable candidates occu;ying the same position as that "erotic book"? Can we discern reasons behind control of this type of production, and, particularly, this specific book? What peculiarities could censorship authorities? This article will examine those sources and will search for clues which offer insight into the case, taking advantage of the extant copies of Sukenobu's books now in various shunga collections. Our main interest is to ascertain the core causes of bakufu reaction against Sukenobu, his ediror Hachimonjiya, and his erotic book (shunpon 春本) production. |
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言語 | en | |||||
書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies / SPECIAL ISSUE : Shunga: Sex and Humor in Japanese Art and Literature 巻 26, p. 137-149, 発行日 2013-01-01 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09150986 | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 24343129 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA10759175 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他の言語のタイトル | ||||||
その他のタイトル | 西川祐信 : 百人女郎、二つの物語、その再考 | |||||
言語 | ja | |||||
出版者 | ||||||
出版者 | International Research Center for Japanese Studies | |||||
言語 | en | |||||
編者 | ||||||
寄与者タイプ | Editor | |||||
姓名 | BREEN, John | |||||
言語 | en | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | CENSORSHIP | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EDO PERIOD | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | EROTIC PRINTS | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | NISHIKAWA SUKENOBU | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | POPULAR CULTURE | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | PUBLISHING INDUSTRY | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | SHUNGA | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | UKIYO-E | |||||
特集号タイトル | ||||||
en | ||||||
Shunga: Sex and Humor in Japanese Art and Literature |