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Hatsune Miku and the Double Nature of Voice Library Software : Content Consumption and Production in Japan
https://doi.org/10.15055/00007558
https://doi.org/10.15055/000075583abe481e-e874-489a-8766-b9ddd57cbe4c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
doujin_01_37_47.pdf (343.9 kB)
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| Item type | 一般雑誌記事 / Article(1) | |||||
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| 公開日 | 2020-11-30 | |||||
| タイトル | ||||||
| タイトル | Hatsune Miku and the Double Nature of Voice Library Software : Content Consumption and Production in Japan | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | article | |||||
| ID登録 | ||||||
| ID登録 | 10.15055/00007558 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
HERNÁNDEZ, HERNÁNDEZ Álvaro David
× HERNÁNDEZ, HERNÁNDEZ Álvaro David |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Hatsune Miku, a software conceived to produce songs, has evolved as a fictional character in the hands of its users since its release in 2007, prompting the development of a strong identity around her image and initiating an innovative movement of amateur content production. In this paper, I examine the software Hatsune Miku, developed by Crypton, and its double nature as a character and as software. I argue that while the influence of Dwango's video sharing website Nico Nico Dōga (today Niconico) and the development of participatory culture on the internet were also decisive factors, it was this double nature that encouraged in a rather natural way the development of a stance towards, and later, a legal framework for, the intellectual property of voice characters like Hatsune Miku. This legal framework transformed the scene of content production and consumption in Japan by allowing not only free appropriation of the fictional character by users, but also its re-appropriation by companies for commercial exploitation. By focusing on how the de-appropriation and re-appropriation schema used by Crypton developed, this paper aims to explain recent transformations in Japanese content production and consumption. | |||||
| 言語 | en | |||||
| 書誌情報 |
en : Dōjin Journal : An academic journal on popular cultures established by the International Research Center for Japanese Studies 巻 1, p. 37-47, 発行日 2020-11-30 |
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| ISSN | ||||||
| 収録物識別子タイプ | EISSN | |||||
| 収録物識別子 | 24357901 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 国際日本文化研究センタープロジェクト推進室 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | International Research Center for Japanese Studies, Project Promotion Office | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | ERNEST DIT ALBAN Edmond | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | HERNANDEZ HERNANDEZ Alvaro David | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Vocaloid | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hatsune Miku | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Fan production | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Content industry | |||||
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Cite as
HERNÁNDEZ, HERNÁNDEZ Álvaro David, 2020, Hatsune Miku and the Double Nature of Voice Library Software : Content Consumption and Production in Japan: 国際日本文化研究センタープロジェクト推進室, p. 37–47.
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