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Maritime Disasters and Auspicious Images : A New Look at Hokusai's Great Wave
https://doi.org/10.15055/00007769
https://doi.org/10.15055/00007769ba4a1c7e-b248-4167-a555-61c303479a09
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jare_036_005.pdf (9.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-03-31 | |||||
| タイトル | ||||||
| タイトル | Maritime Disasters and Auspicious Images : A New Look at Hokusai's Great Wave | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.15055/00007769 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
SCREECH, Timon
× SCREECH, Timon |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Hokusai's print known as the Great Wave, from the series Thirty-Six Views of Mt. Fuji, is among the most recognized works of art worldwide. Prior scholarship has addressed its production, circulation, and extensive afterlife. This paper, by contrast, enquires into what the subject actually means. Why did Hokusai make a representation of vessels in heavy seas, with a sacred mountain behind them? I question what Hokusai might have wanted to impart, and where his visual conceptualization could have come from. In this iconographic investigation, the argument will be made for the Great Wave being best understood in terms of Dutch maritime disaster painting. Such works were theological, offering the terror of death averted by some external divine intervention. Several examples were brought to Japan during the Edo period. It would not have seemed odd to Japanese viewers that ships were capable of supporting symbolic meanings. At the same time, there is no previous example of an independent Japanese depiction of ships in distress. Furthermore, Mt. Fuji offered precisely the promise of safety, its name punning on "no death." | |||||
| 言語 | en | |||||
| 書誌情報 |
en : Japan review : Journal of the International Research Center for Japanese Studies 巻 36, p. 5-32, 発行日 2022-02 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09150986 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | EISSN | |||||
| 収録物識別子 | 24343129 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA10759175 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | International Research Center for Japanese Studies | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | BREEN, John | |||||
| 言語 | en | |||||
| 編者 | ||||||
| 寄与者タイプ | Editor | |||||
| 姓名 | BOYLE, Edward | |||||
| 言語 | en | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | disaster | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Dutch maritime painting | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Great Wave | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hokusai | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Nagasaki | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Thirty-Six Views of Mt. Fuji | |||||
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Cite as
SCREECH, Timon, 2022, Maritime Disasters and Auspicious Images : A New Look at Hokusai's Great Wave: International Research Center for Japanese Studies, 5–32 p.
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