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眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者
https://fujijoshi.repo.nii.ac.jp/records/1660
https://fujijoshi.repo.nii.ac.jp/records/16609fe76a7b-97ae-4cb4-916f-9af1fe3ce08a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者 (732.7 kB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-07-24 | |||||
| タイトル | ||||||
| タイトル | 眼差しの再見 シェリー・レヴィーンの『ウォーカー・エヴァンスにならって After Walker Evans』(1981) : ポストモダニズムの写真における他者 | |||||
| タイトル | ||||||
| タイトル | A Reexamination of the Gaze in After Walker Evans, a work completed by Sherrie Levine in 1981 : Postmodernist photos and its Others | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| 著者 |
鉢呂, 光恵
× 鉢呂, 光恵× HACHIRO, Mitsue |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Sherrie Levine (1947- ) is a contemporary artist who was active in advocating postmodernism, a movement that dates from the America of the 1980s. Levine created new images by appropriating photos of people, from a series titled Others, that had been taken by Walker Evans (1903-1973), a prominent photographer of modern times. Her artistic technique gained considerable attention from critics. In her work, she rephotographed, through her own imagination, the people in the existing photos, focusing on their gaze, a gaze that was lost in modern times and was different from a camera-conscious gaze. Through the production of simulated art or appropriated art, she attempted to examine and elucidate how photographic subjects were introduced and socially positioned by the mass media and by photography appreciators. Her stance on art underlay her attempts to use postmodernist photography to reconsider, from an artistic standpoint, how modernization had caused various things in American society to become replaced. Levine attempted to pursue visual possibilities. Based on an essay by Howard Singerman that intricately discusses the “gaze” of people shot by Levine who showed a specific interest in watching, this thesis highlights four items. 1) The composition of photos taken from this postmodernist perspective 2) The “gaze” of people shot by Levine in some photos (multiple lines of sight) 3) “Appropriation” (artistic techniques adopted by Levine) 4) New attempts made by Levine |
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| 書誌情報 |
藤女子大学人間生活学部紀要 en : The bulletin of the Faculty of Human Life Sciences, Fuji Women's University 号 55, p. 137-145, 発行日 2018-03-31 |
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| 出版者 | ||||||
| 出版者 | 藤女子大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 2187-4689 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12605795 | |||||
| 論文ID（NAID） | ||||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 40021558756 | |||||
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Cite as
鉢呂, 光恵, HACHIRO, Mitsue, 2018, A Reexamination of the Gaze in After Walker Evans, a work completed by Sherrie Levine in 1981 : Postmodernist photos and its Others: 藤女子大学, 137–145 p.
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