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旅や冒険を表象するテレビ番組と「真正性」「教養」 : 『川口浩探検シリーズ』と『すばらしい世界旅行』の比較研究
https://stars.repo.nii.ac.jp/records/8854
https://stars.repo.nii.ac.jp/records/8854f79735e4-454b-48d7-a823-88911bdcb62d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
高井昌吏 (954.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-11-01 | |||||
| タイトル | ||||||
| タイトル | 旅や冒険を表象するテレビ番組と「真正性」「教養」 : 『川口浩探検シリーズ』と『すばらしい世界旅行』の比較研究 | |||||
| タイトル | ||||||
| タイトル | Representations of Travel and Adventure in Television Programs, ‘Authenticity’ and ‘Education’ : A Comparative Study of “Kawaguchi Hiroshi Adventurer Series” and “Wonderful World Travel” | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | テレビ文化 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ドキュメンタリー | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 冒険・旅番組 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 「真正性」 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 教養 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | television culture | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | documentary | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | adventure & travel program | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | ‘authenticity’ | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | education | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
高井, 昌吏
× 高井, 昌吏× TAKAI, Masashi |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In the late 1960 s, Hiroshi Kawaguchi, the former movie actor and TV personality, felt challenged by the documentary film “A Dog’s Life” (original title: Mondo Cane) produced by Italian film director Gualtiero Jacopetti. While pursuing the ‘authenticity’ of documentary, Kawaguchi also performed as an actor and was involved in the production of a television program. The program of Hiroshi Kawaguchi was different from Junichi Ushiyama’s television documentary ”Wonderful World Travel”, as the former tried to represent the ‘authenticity’ of documentary while emphasizing the impact of the image, whereas the latter pursued ‘education’ and academics through his program. This is, in a sense, a result of focusing on creating a program from the perspective of the ‘masses’ instead of from the perspective of ‘modern citizens’. Their directions were different, yet their educational background, parents’ occupations and cultural capital were related to each other. In the mid-1980 s, however, “Kawaguchi Hiroshi Adventurer Series” directed by the former actor who placed great emphasis on ‘authenticity’ became viewed as a parody of adventure and exploration by the audience amid a rumor that the program was ‘staged’. In other words, although Hiroshi Kawaguchi’s documentary program began as a pursuit of ‘authenticity’, it was ironically criticized in terms of its ‘authenticity’ and ridiculed. This was due to changes in the attitudes of TV viewers, especially of the audience of documentary shows. In the meanwhile, Junichi Ushiyama also entered the academic world, such as the “Visual anthropology”, and as a result, his television documentary became accepted as an ‘educational program’. |
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| 書誌情報 |
桃山学院大学社会学論集 en : ST.ANDREW'S UNIVERSITY SOCIOLOGICAL REVIEW 巻 51, 号 1, p. 31-71, 発行日 2017-10-20 |
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| 出版者 | ||||||
| 出版者 | 桃山学院大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02876647 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00240577 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
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Cite as
高井, 昌吏, TAKAI, Masashi, 2017, Representations of Travel and Adventure in Television Programs, ‘Authenticity’ and ‘Education’ : A Comparative Study of “Kawaguchi Hiroshi Adventurer Series” and “Wonderful World Travel”: 桃山学院大学, 31–71 p.
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