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本郷住枝（歌人）の短歌小論 ─京都西陣の光と影を詠む意義─
https://doi.org/10.18952/00008926
https://doi.org/10.18952/000089262f0835c8-2a6f-4f30-bbce-f2cb9bcf0604
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
310105 (627.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2019-02-26 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 本郷住枝（歌人）の短歌小論 ─京都西陣の光と影を詠む意義─ | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | On Tanka Poems by HONGO Sumie — The Significance of Depicting the Glory and Decline of Nishijin, Kyoto — | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | tanka poem | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | Nishijin | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | Kyoto | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | Nishijin fabric industry | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | rhetoric | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | onomatopoeia | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題 | Japanese language | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.18952/00008926 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
奥, 浩昭
× 奥, 浩昭
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This article aims to demonstrate three significances of tanka poems by HONGO Sumie (1934～), who has lived for sixty years in Nishijin, Kyoto: the significance of her poems in depicting the glory and decline of Nishijin fabric industry and the ever-inspiring historic places of and figures in Kyoto; the beauty and artistry of her poems in exploiting a variety of rhetorical expressions; the possibility of making ordinary Japanese people realize the beauty and richness of the Japanese language. Among her conspicuous rhetorical expressions is the use of onomatopoeia like saya-saya, light and rhythmic sounds of a bamboo or a small waterfall, describing a Nishijin fabric machine and a small waterfall in a well-known garden in Kyoto. Another is the frequent use of hikari or light, referring to encouraging aspects of the world around her. In a tanka poem her late husband is associated with light (hikari) and a shield (tate). Not well-known to the tanka-related people, the poet deserves, the author believes, to be accepted as a distinguished Nishijin- and Kyoto- related poet. (Kyoto and Nishijin need a poet who gives literary description of its glorious culture and history.) Her use of uta-kotoba or words frequently used in tanka poems like modasu or ‘to remain silent’ might enable ordinary Japanese people to be impressed with not-daily-used beautiful Japanese expressions, thereby being more interested in their native language. | |||||||||||
| 書誌情報 |
ja : 電気通信大学紀要 巻 31, 号 1, p. 48-60, 発行日 2019-02-01 |
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| 出版者 | ||||||||||||
| 出版者 | 電気通信大学 | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0915-0935 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
