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〔報文〕仁王胴具足にみられる桃山文化期の一塗装技術―一宮市博物館保管仁王胴具足を例として―
https://doi.org/10.18953/00003866
https://doi.org/10.18953/0000386672fd868e-d62e-40d0-a087-1e77638a6196
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
05301.pdf (1.0 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-07-31 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | 〔報文〕仁王胴具足にみられる桃山文化期の一塗装技術―一宮市博物館保管仁王胴具足を例として― | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | Study on the Paint Materials and Technique Used for Nio-do Style Suit of Armor in the Momoyama Cultural Period | |||||||||||||
| 言語 | en | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 仁王胴具足 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 肌色塗料 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 漆塗料 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 乾性油系塗料 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 平蒔絵 | |||||||||||||
| キーワード | ||||||||||||||
| 言語 | en | |||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | NiO-Do style suit of armor; Flesh-colored Paint; Urushi Paint; Dried oil Paint; Hira Makie | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
| 資源タイプ | journal article | |||||||||||||
| ID登録 | ||||||||||||||
| ID登録 | 10.18953/00003866 | |||||||||||||
| ID登録タイプ | JaLC | |||||||||||||
| 著者 |
北野, 信彦
× 北野, 信彦
× 本多, 貴之
× Nobuhiko, KITANO
× Takayuki, HONDA
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| 抄録 | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | Nio-do style suit of armor was a novel design suit of armor in the Momoyama cultural period(from the end of the 16th to the first half of the 17th century). Characteristics of this suit of armor are the appearance of a naked male body and flesh(skin)-colored coating. The present paper is a report on the observation and analysis of this flesh(skin)- colored coating and makie technique used to make the Nio-do suit of armor owned by Ichinomiya City Museum. Several elemental analyses including those using a microscope,PY-GC/MS and X-ray diffraction pattern,as well as cross-section analysis by observation were conducted on small pieces of coating layers. As a result,it was found that the flesh(skin)-colored coating is a mixture of white lead(2PbCO3・Pb(OH)2)and vermillion(HgS)to which dried oil was blended. As for the makie,small gold(Au)grains were used in the technique of hiramakie (Kodaiji makie)with harigaki and kakiwari, characteristic of makie of the Momoyama cultural period. In Japan,dried oil paint was first used in the Asuka-Nara period(from the end of the 7th to the first half of the 8th century),but its use was discontinued until the Momoyama cultural period when,according to old documents,oil painting technique was imported from Europe. Then,in the Edo cultural period,dried oil paint such as mitsuda and chang paint appeared. It is assumed that this oil painting material and technique was applied in making the flesh(skin)-colored coating of the Nio-do style suit of armor and that the makie technique was one that is characteristic of the Momoyama cultural period. |
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| 書誌情報 |
保存科学 en : Science for conservation 号 53, p. 1-18, 発行日 2014-03-26 |
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