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研究資料 京都・神光院蔵 木造地蔵菩薩立像
https://tobunken.repo.nii.ac.jp/records/6046
https://tobunken.repo.nii.ac.jp/records/60462dd753d7-55ba-406f-b24e-e70bde3bb91f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
408_95_Sarai_Redacted.pdf (1.2 MB)
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| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
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| 公開日 | 2017-10-05 | |||||||||
| タイトル | ||||||||||
| タイトル | 研究資料 京都・神光院蔵 木造地蔵菩薩立像 | |||||||||
| タイトル | ||||||||||
| タイトル | Standing Image of Jizo Bosatsu at Jinkoin, Kyoto | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 正和元年銘・像内納入品・上賀茂神社伝来 | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| 著者 |
皿井, 舞
× 皿井, 舞
× Sarai, Mai
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | Jinkôin is a Shingon sect temple located in the Kita ward of Kyoto. Kamo Yoshihisa, the head priest of the Kamo-wake-ikazuchi Shrine, established the temple at the beginning of the 13th century. The author conducted a survey of the Standing Image of Jizô Bosatsu at the temple in October 2010. This article presents the basic data on this previously little-known work. The survey revealed that there are inscriptions next to the right foot and left foot of the figure. The inscription includes the priest’s name, Chôyô, and the date 1312 (Shôwa 1), thus clarifying the date of production and the name of the person involved in its creation. Further, nine small wooden standing images of Jizô fell from the split edges of the image’s construct, and other small wooden images of bodhisattvas were found in the sculpture’s interior. Judging from the sculptural style, this work is thought to have been carved by an Inpa school sculptor and is an extremely important example of the basic Inpa school style of Buddhist images created at the end of the Kamakura period. During Japan’s medieval period it was common for Buddhist stupas and sutra storage areas to be built inside Shinto shrine compounds and for the Shinto deities and Buddhist gods to be worshipped as a single unit. Chôyô, the head priest of the Kamo-wake-ikazuchi Shrine, is surmised to have become a priest on the basis of his Buddhist beliefs. This work is known as a good physical manifestation of medieval Japan’s unique amalgamation of simultaneous Buddhist and Shinto worship. In this sense, the work can be said to be extremely important. |
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| 書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 408, p. 95-104, 発行日 2013-01-18 |
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