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From the manifesto recorded in the invitation to the Yamanote Line Incident and the interchange between speakers in the discussion meeting, we can discern at least two types of anonymity. One is the literal meaning of anonymity related to naming, and the other is the anonymity gained when agitation extinguishes differences between the self and the other, when individuality is stripped away. These concepts also appear in Akasegawa’s essay “Spy Rules” published the following year, and in his model 1,000-yen notes and wrapping art. And yet, noteworthy in all cases is the fact that anonymity does not mean total namelessness. As can be seen in the critiques at the time by Miyakawa Atsushi and Ishiko Junzô, the difference between namelessness and anonymity, this remaining in the vague state before namelessness, is one of the characteristics found in Akasegawa’s activities.\n While Akasegawa may have been interested in the potential of anonymity prior to HRC, at the very least it was the Yamanote Line Incident that made him aware of this interest. 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研究ノート 赤瀬川原平と《山手線事件》―〈匿名性〉を手がかりとして―
https://doi.org/10.18953/00006079
https://doi.org/10.18953/00006079666e7fee-8c9c-4b3b-8b3c-5cf1e12ee34f
名前 / ファイル | ライセンス | アクション |
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418_68_Kawai_Redacted.pdf (1.2 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2018-03-19 | |||||
タイトル | ||||||
タイトル | 研究ノート 赤瀬川原平と《山手線事件》―〈匿名性〉を手がかりとして― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Akasegawa Genpei and The Yamanote Line Incident – Anonymity as a Clue | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
ID登録 | ||||||
ID登録 | 10.18953/00006079 | |||||
ID登録タイプ | JaLC | |||||
著者 |
河合, 大介
× 河合, 大介× Kawai, Daisuke |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In 1963, Akasegawa Genpei formed Hi-Red Center (HRC) with Nakanishi Natsuyuki and Takamatsu Jirô. The “anonymity” that characterizes their activities can be considered an important element in Akasegawa’s own individual activities. This article indicates how the Yamanote Line Incident carried out by Nakanishi, Takamatsu and others played an important role in Akasegawa’s recognition of anonymity as a characteristic. With his participation in Neo-Dada as opportunity, the 1960s marked a time when Akasegawa turned away from his previous involvement with traditional paintings and began to create objects from trash and discarded materials. However, starting in 1963, around the time of the founding of the HRC, Akasegawa turned to works using model 1,000-yen notes and wrapping arts. This was the period in which Akasegawa, Nakanishi and Takamatsu participated in the discussion meeting of the Keishô magazine, held to summarize the Yamanote Line Incident of the previous year. From the manifesto recorded in the invitation to the Yamanote Line Incident and the interchange between speakers in the discussion meeting, we can discern at least two types of anonymity. One is the literal meaning of anonymity related to naming, and the other is the anonymity gained when agitation extinguishes differences between the self and the other, when individuality is stripped away. These concepts also appear in Akasegawa’s essay “Spy Rules” published the following year, and in his model 1,000-yen notes and wrapping art. And yet, noteworthy in all cases is the fact that anonymity does not mean total namelessness. As can be seen in the critiques at the time by Miyakawa Atsushi and Ishiko Junzô, the difference between namelessness and anonymity, this remaining in the vague state before namelessness, is one of the characteristics found in Akasegawa’s activities. While Akasegawa may have been interested in the potential of anonymity prior to HRC, at the very least it was the Yamanote Line Incident that made him aware of this interest. This vague form of anonymity can be recognized as one of the original and personal aspects of Akasegawa’s later activities. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 418, p. 68-80, 発行日 2016-03-18 |