WEKO3
アイテム
{"_buckets": {"deposit": "dd61a2c2-fc89-44b8-800a-346b4b3a5e70"}, "_deposit": {"created_by": 3, "id": "6201", "owners": [3], "pid": {"revision_id": 0, "type": "depid", "value": "6201"}, "status": "published"}, "_oai": {"id": "oai:tobunken.repo.nii.ac.jp:00006201", "sets": ["985"]}, "author_link": ["26323", "26322"], "item_10001_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2009-03-27", "bibliographicIssueDateType": "Issued"}, "bibliographicIssueNumber": "397", "bibliographicPageEnd": "97", "bibliographicPageStart": "79", "bibliographic_titles": [{"bibliographic_title": "美術研究"}, {"bibliographic_title": "The bijutsu kenkyu : the journal of art studies", "bibliographic_titleLang": "en"}]}]}, "item_10001_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": " This work is one of the new acquisitions made by the Yorozu Tetsugoro Memorial Museum of Art (Hanamaki city, Iwate prefecture). This work was exhibited in the Exhibition of Tetsugoro Yorozu held in 1985 (traveling exhibition held at the Museum of Modern Art, Kamakura, Mie Prefectural Art Museum and the Miyagi Museum of Art). After the exhibition, the ownership of the work was unknown and the work did not appear in the many retrospective exhibitions and publications that occurred in the interim. In other words, the appearance of the work in the museum means that it can be reintroduced after an absence of some 24 years.\n Further, the picture Acrobats painted on the back of the work Road under the Sun, previously mentioned but never reproduced, can also be seen for the first time. Road under the Sun reveals the characteristics of the paintings of this artist’s youth, with its bold van Gogh-like use of strong colors and sun’s rays that radiate out in thick brush strokes. Thus it should be both recognized as a study work and highly praised as a painting.\n This article confirms the provenance of the work, a sketch panel with paintings on both sides, and is divided into the following three sections with special focus on Acrobats:\n\n1. Asakusa Park in 1912\n After graduating from the Tokyo Art Academy, Yorozu Tetsugorô (1885-1927) took a part-time job painting the billboards for a movie house in Asakusa. At the time, Asakusa was Tokyo’s premier amusement center, with movie houses, small playhouses, music halls and spectacle sideshows all jostled together. This section looks back over what the district was like at the time.\n\n2. The image of “tamanori” as “spectacle”\n During his time in Asakusa, Yorozu witnessed such spectacle shows as tamanori, or balancing on large balls, and kyokugei acrobatic tricks at the Egawa troupe, and these subjects formed the elements for his Acrobats work. However, it was not only Yorozu who painted images of such Egawa performances. Many other painters created works on the subject of the Egawa spectacles and this section compares Yorozu’s work with those by other artists, considering how each artist expressed the subject.\n\n3. Feelings about the exercising body\n Other painters created images of acrobats, frequently as some sort of urban custom, and they were often shown as part of the more shadowy elements of the study as the movie industry flourished and the world of spectacles was declining. Conversely, Yorozu’s interest lay in the form of the “acrobats” themselves, their bodies moving in ways far from the realm of the everyday. Thus, the Acrobats painting should be positioned as a pioneering work that reveals Yorozu’s interest in the exercising body.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "田中, 淳"}], "nameIdentifiers": [{"nameIdentifier": "26322", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Tanaka, Atsushi", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "26323", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2017-10-05"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "397_79_Tanaka_Redacted.pdf", "filesize": [{"value": "1.6 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 1600000.0, "url": {"label": "397_79_Tanaka_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/6201/files/397_79_Tanaka_Redacted.pdf"}, "version_id": "450fa21c-f022-4fae-b5f9-61860f2e460e"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "萬鉄五郎 軽業師(明治四十五年・岩手 萬鉄五郎記念美術館蔵)・萬鉄五郎 太陽と道(岩手 萬鉄五郎記念美術館蔵)万鉄五郎・浅草公園・江川玉乗一座・電気館・見世物・竹久夢二・木村荘八・広島新太郎・戸張孤雁", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Acrobats, by Yorozu Tetsugoro, Yorozu Tetsugoro Memorial Museum of Art / Road under the Sun, by Yorozu Tetsugoro, Yorozu Tetsugoro Memorial Museum of Art", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "図版解説 萬鉄五郎 《軽業師》および《太陽と道》", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "図版解説 萬鉄五郎 《軽業師》および《太陽と道》"}, {"subitem_title": "Explanation of the Plates: Yorozu Tetsugoro’s Acrobats and Road under the Sun", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["985"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6201", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6201", "relation": {}, "relation_version_is_last": true, "title": ["図版解説 萬鉄五郎 《軽業師》および《太陽と道》"], "weko_shared_id": 3}
図版解説 萬鉄五郎 《軽業師》および《太陽と道》
https://tobunken.repo.nii.ac.jp/records/6201
https://tobunken.repo.nii.ac.jp/records/6201249ddd39-4284-4422-964e-56947e435674
名前 / ファイル | ライセンス | アクション |
---|---|---|
397_79_Tanaka_Redacted.pdf (1.6 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 図版解説 萬鉄五郎 《軽業師》および《太陽と道》 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Explanation of the Plates: Yorozu Tetsugoro’s Acrobats and Road under the Sun | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 萬鉄五郎 軽業師(明治四十五年・岩手 萬鉄五郎記念美術館蔵)・萬鉄五郎 太陽と道(岩手 萬鉄五郎記念美術館蔵)万鉄五郎・浅草公園・江川玉乗一座・電気館・見世物・竹久夢二・木村荘八・広島新太郎・戸張孤雁 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Acrobats, by Yorozu Tetsugoro, Yorozu Tetsugoro Memorial Museum of Art / Road under the Sun, by Yorozu Tetsugoro, Yorozu Tetsugoro Memorial Museum of Art | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
田中, 淳
× 田中, 淳× Tanaka, Atsushi |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This work is one of the new acquisitions made by the Yorozu Tetsugoro Memorial Museum of Art (Hanamaki city, Iwate prefecture). This work was exhibited in the Exhibition of Tetsugoro Yorozu held in 1985 (traveling exhibition held at the Museum of Modern Art, Kamakura, Mie Prefectural Art Museum and the Miyagi Museum of Art). After the exhibition, the ownership of the work was unknown and the work did not appear in the many retrospective exhibitions and publications that occurred in the interim. In other words, the appearance of the work in the museum means that it can be reintroduced after an absence of some 24 years. Further, the picture Acrobats painted on the back of the work Road under the Sun, previously mentioned but never reproduced, can also be seen for the first time. Road under the Sun reveals the characteristics of the paintings of this artist’s youth, with its bold van Gogh-like use of strong colors and sun’s rays that radiate out in thick brush strokes. Thus it should be both recognized as a study work and highly praised as a painting. This article confirms the provenance of the work, a sketch panel with paintings on both sides, and is divided into the following three sections with special focus on Acrobats: 1. Asakusa Park in 1912 After graduating from the Tokyo Art Academy, Yorozu Tetsugorô (1885-1927) took a part-time job painting the billboards for a movie house in Asakusa. At the time, Asakusa was Tokyo’s premier amusement center, with movie houses, small playhouses, music halls and spectacle sideshows all jostled together. This section looks back over what the district was like at the time. 2. The image of “tamanori” as “spectacle” During his time in Asakusa, Yorozu witnessed such spectacle shows as tamanori, or balancing on large balls, and kyokugei acrobatic tricks at the Egawa troupe, and these subjects formed the elements for his Acrobats work. However, it was not only Yorozu who painted images of such Egawa performances. Many other painters created works on the subject of the Egawa spectacles and this section compares Yorozu’s work with those by other artists, considering how each artist expressed the subject. 3. Feelings about the exercising body Other painters created images of acrobats, frequently as some sort of urban custom, and they were often shown as part of the more shadowy elements of the study as the movie industry flourished and the world of spectacles was declining. Conversely, Yorozu’s interest lay in the form of the “acrobats” themselves, their bodies moving in ways far from the realm of the everyday. Thus, the Acrobats painting should be positioned as a pioneering work that reveals Yorozu’s interest in the exercising body. |
|||||
書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 397, p. 79-97, 発行日 2009-03-27 |