WEKO3
アイテム
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His paintings, exemplified by “Pine and Deer” (fig. 1), closely resemble those of Pa-ta Shan-jen (fig. 2). In his book titled Pa-ta Shan-jen and Niu-shih-hui, Mr. Kan\u0027ichi SUMITOMO presented four possible hypotheses regarding the relationship between the two artists: Niu-shih-hui and Pa-ta Shan-jen could have been the same person ; They could have been brothers ; Pa-ta Shan-jen could have been an elder fellow monk of Niu-shih-hui\u0027s ; Not directly connected with Pa-ta Shan-jen at all, Niu-shih-hui could have been an ardent admirer of his. Mr. SUMITOMO eliminated the first two hypotheses on the basis of a lack of materials to prove them. Then, he stated that the third was most likely to be true, having decided that Niu-shih-hui was a monk judging from the seals he used.\n Later, Mr. YEH Yeh wrote an article titled “On the Relationships between CHU Jung-chung, Niu-shihhui and Pa-ta Shan-jen” which appeared in Ta-lu Tsa-chih (No. 1, Vol. 53). He cites both the 1872 Fêng-hsin-hsien-chih and the Ch\u0027ing-ch\u0027u Sêngchêng-chi. The former states that Niu-shih-hui is said to have had religious training at Niu-shih-an, a temple located at Fêng-hua Hsian-shang-tsun village, also called Po-fu-ssu. The latter states that monks customarily use a sobriquet or their temple\u0027s name before their real names. From this information, Mr. YEH concludes that Niu-shih-hui was the monk Fa-hui from Niu-shih-an temple, with the sobriquets Hsing-an and Ch\u0027ing-nien. Since the sobriquets are similar to Jen-an and Shu-nien, the sobriquets of Pa-ta Shan-jen who also at one time lived in Fêng. hsin Prefecture, Mr. YEH assumes that they were about the same age and knew each other well.\n “Myna Bird” by Niu-shih-hui reproduced here is almost identical with Pa-ta Shan-jen\u0027s painting of a myna bird in the Sumitomo album of “Flowers and Miscellaneous Subjects”. Niu-shih-hui\u0027s bird however seems to be huddled up, whereas Pa-ta Shan-jen\u0027s is a relaxed, rather plump bird. Moreover, the seal appearing on the latter album leaf is traditionally said to be Pa-ta Shan-jen\u0027s own work. It looks completely different stylistically from the seal on the Niushih-hui\u0027s painting. It is very unlikely that one artist would have used two such seals. Judging from this, one can conclude that the evidence of “Myna Bird” by Niu-shih-hui strongly supports the theory that Niushih-hui and Pa-ta Shan-jen are not the same person.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "鶴田, 武良"}], "nameIdentifiers": [{"nameIdentifier": "26958", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Tsuruta, Takeyoshi", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "26959", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2017-10-04"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "319_32_Tsuruta_Redacted.pdf", "filesize": [{"value": "7.4 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 7400000.0, "url": {"label": "319_32_Tsuruta_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/6506/files/319_32_Tsuruta_Redacted.pdf"}, "version_id": "b27b1c52-01bf-41b8-a104-2aed3ef1504c"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "牛石慧筆叭々鳥図(大阪 橋本末吉氏蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "“Myna Bird” by Niu-shih-hui, owned by Mr. Sueyoshi Hashimoto, Osaka", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "研究資料 牛石慧筆叭々鳥図", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "研究資料 牛石慧筆叭々鳥図"}, {"subitem_title": "Material for Art Research: “Myna Bird” by Niu-shih-hui", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1071"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6506", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6506", "relation": {}, "relation_version_is_last": true, "title": ["研究資料 牛石慧筆叭々鳥図"], "weko_shared_id": 3}
研究資料 牛石慧筆叭々鳥図
https://tobunken.repo.nii.ac.jp/records/6506
https://tobunken.repo.nii.ac.jp/records/6506cc143aa2-d8f4-4d5e-9740-2dc1d5fa55af
名前 / ファイル | ライセンス | アクション |
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319_32_Tsuruta_Redacted.pdf (7.4 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 研究資料 牛石慧筆叭々鳥図 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Material for Art Research: “Myna Bird” by Niu-shih-hui | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 牛石慧筆叭々鳥図(大阪 橋本末吉氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Myna Bird” by Niu-shih-hui, owned by Mr. Sueyoshi Hashimoto, Osaka | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
鶴田, 武良
× 鶴田, 武良× Tsuruta, Takeyoshi |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | As Mr. YEH Tê-hui(?-1927) mentions in his Kuanhua Pai-yung, Niu-shih-hui has been traditionally known in China as ayounger brother of Pa-ta Shan-jen. His paintings, exemplified by “Pine and Deer” (fig. 1), closely resemble those of Pa-ta Shan-jen (fig. 2). In his book titled Pa-ta Shan-jen and Niu-shih-hui, Mr. Kan'ichi SUMITOMO presented four possible hypotheses regarding the relationship between the two artists: Niu-shih-hui and Pa-ta Shan-jen could have been the same person ; They could have been brothers ; Pa-ta Shan-jen could have been an elder fellow monk of Niu-shih-hui's ; Not directly connected with Pa-ta Shan-jen at all, Niu-shih-hui could have been an ardent admirer of his. Mr. SUMITOMO eliminated the first two hypotheses on the basis of a lack of materials to prove them. Then, he stated that the third was most likely to be true, having decided that Niu-shih-hui was a monk judging from the seals he used. Later, Mr. YEH Yeh wrote an article titled “On the Relationships between CHU Jung-chung, Niu-shihhui and Pa-ta Shan-jen” which appeared in Ta-lu Tsa-chih (No. 1, Vol. 53). He cites both the 1872 Fêng-hsin-hsien-chih and the Ch'ing-ch'u Sêngchêng-chi. The former states that Niu-shih-hui is said to have had religious training at Niu-shih-an, a temple located at Fêng-hua Hsian-shang-tsun village, also called Po-fu-ssu. The latter states that monks customarily use a sobriquet or their temple's name before their real names. From this information, Mr. YEH concludes that Niu-shih-hui was the monk Fa-hui from Niu-shih-an temple, with the sobriquets Hsing-an and Ch'ing-nien. Since the sobriquets are similar to Jen-an and Shu-nien, the sobriquets of Pa-ta Shan-jen who also at one time lived in Fêng. hsin Prefecture, Mr. YEH assumes that they were about the same age and knew each other well. “Myna Bird” by Niu-shih-hui reproduced here is almost identical with Pa-ta Shan-jen's painting of a myna bird in the Sumitomo album of “Flowers and Miscellaneous Subjects”. Niu-shih-hui's bird however seems to be huddled up, whereas Pa-ta Shan-jen's is a relaxed, rather plump bird. Moreover, the seal appearing on the latter album leaf is traditionally said to be Pa-ta Shan-jen's own work. It looks completely different stylistically from the seal on the Niushih-hui's painting. It is very unlikely that one artist would have used two such seals. Judging from this, one can conclude that the evidence of “Myna Bird” by Niu-shih-hui strongly supports the theory that Niushih-hui and Pa-ta Shan-jen are not the same person. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 319, p. 32-34, 発行日 1982-03-31 |