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The Avalokiteśvara image, bearing an inscription dated A. D. 600 (the twentieth year of the K\u0027ai-huang Era), shown in Pl. II, is a typical stone statue which illustrates the establishment of the new style. It is not before the second decade of the K\u0027ai-huang Era that the establishment of a clearly recognizable Sui style took place. The sculpture of the earlier part of the Sui Dynasty is closer to the Chou and Ch\u0027i Periods in terms of style. It seems that the speed of change from the older traditional style to the Sui style varied by region. And local stylistic differences existed in Shantung, Hopei, Shansi, Honan, Shensi, Kansu and other regions before the Sui Dynasty.\n An important question would be which local style played the principal role in the fomation of the so-called Sui style. The author, who has studied the relevant stone images of Bodhisattva considers that the tradition of the Chang-an school became the main current of the Sui sculptural style. Of course there were still local variations in the Sui style such as those in Shantung and Hopei. But the author regards the works by the Chang-an school to be the most typical of the Sui style, The stone Avalokiteśvara image referred to above is one of these examples. And the author at the same time emphasizes his presumption that the Chang-an school would have received strong influences from the styles of Shensi and surrounding regions and also some influence from Honan in the process of development from the Six Dynasties style to the Sui style.\n It might also be noted that the iconoclastic trend at the end of the Northern Ch\u0027i Dynasty was of some consequence in the formation of the Sui sculptural style. 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D. 600, Private Collection / Northern Ch’i Dynasty Bodhisattva Statue, Private Collection, Kyoto / Northern Ch’i Dynasty Bodhisattva Image Dated A. D. 576, Private Collection, Tokyo / Sui Dynasty Avalokitesvara Statue Dated A. D. 585, Tokyo National Museum / Sui Dynasty Bodhisattva Statue, Private Collection, Tokyo", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "隋造像様式成立考―とくに北周廃仏と関連して―", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "隋造像様式成立考―とくに北周廃仏と関連して―"}, {"subitem_title": "The Establishment of the Sui Style in Buddhist Sculpture", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1081"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6539", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6539", "relation": {}, "relation_version_is_last": true, "title": ["隋造像様式成立考―とくに北周廃仏と関連して―"], "weko_shared_id": 3}
隋造像様式成立考―とくに北周廃仏と関連して―
https://tobunken.repo.nii.ac.jp/records/6539
https://tobunken.repo.nii.ac.jp/records/653927c051b9-7cf1-41e2-ac1e-0b5446df26ec
名前 / ファイル | ライセンス | アクション |
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288_12_Matsubara_Redacted.pdf (34.2 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 隋造像様式成立考―とくに北周廃仏と関連して― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Establishment of the Sui Style in Buddhist Sculpture | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 石造観音菩薩立像(隋開皇五年銘・東京国立博物館蔵)・石造観音菩薩立像(隋開皇二十年銘)・石造菩薩立像(隋)・石造菩薩立像(北斉)・石造菩薩立像(北斉武平七年銘)(東京 某氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Sui Dynasty Avalokitesvara Statue Dated A. D. 600, Private Collection / Northern Ch’i Dynasty Bodhisattva Statue, Private Collection, Kyoto / Northern Ch’i Dynasty Bodhisattva Image Dated A. D. 576, Private Collection, Tokyo / Sui Dynasty Avalokitesvara Statue Dated A. D. 585, Tokyo National Museum / Sui Dynasty Bodhisattva Statue, Private Collection, Tokyo | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
松原, 三郎
× 松原, 三郎× Matsubara, Saburo |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | A gradual but evident stylistic change occurred in the current of Buddhist sculpture after the foundation of the Sui Dynasty, although vestiges of the styles which were prevalent in Northern Chou and Northern Ch'i still remained. The Avalokiteśvara image, bearing an inscription dated A. D. 600 (the twentieth year of the K'ai-huang Era), shown in Pl. II, is a typical stone statue which illustrates the establishment of the new style. It is not before the second decade of the K'ai-huang Era that the establishment of a clearly recognizable Sui style took place. The sculpture of the earlier part of the Sui Dynasty is closer to the Chou and Ch'i Periods in terms of style. It seems that the speed of change from the older traditional style to the Sui style varied by region. And local stylistic differences existed in Shantung, Hopei, Shansi, Honan, Shensi, Kansu and other regions before the Sui Dynasty. An important question would be which local style played the principal role in the fomation of the so-called Sui style. The author, who has studied the relevant stone images of Bodhisattva considers that the tradition of the Chang-an school became the main current of the Sui sculptural style. Of course there were still local variations in the Sui style such as those in Shantung and Hopei. But the author regards the works by the Chang-an school to be the most typical of the Sui style, The stone Avalokiteśvara image referred to above is one of these examples. And the author at the same time emphasizes his presumption that the Chang-an school would have received strong influences from the styles of Shensi and surrounding regions and also some influence from Honan in the process of development from the Six Dynasties style to the Sui style. It might also be noted that the iconoclastic trend at the end of the Northern Ch'i Dynasty was of some consequence in the formation of the Sui sculptural style. This trend retarded the stylistic development of Buddhist images but, on the other hand, helped to nourish the emergence of a drastically new style. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 288, p. 12-31, 発行日 1973-12-20 |