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図版解説 李士達筆 竹裡泉声図[東京 某氏蔵]
https://tobunken.repo.nii.ac.jp/records/6597
https://tobunken.repo.nii.ac.jp/records/6597388f99a0-09f7-4645-9bb4-801303017352
名前 / ファイル | ライセンス | アクション |
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261_40_Toda_Redacted.pdf (1.1 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 図版解説 李士達筆 竹裡泉声図[東京 某氏蔵] | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Explanation of Plate: “Hearing the Spring Sound in Bamboo Grove” by Li Shih-ta (Private Collection, Tokyo) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
戸田, 禎佑
× 戸田, 禎佑× Toda, Teisuke |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Among the landscape paintings by Li Shih-ta “Scenery Viewed from a Mountain Lodge” owned by Seikadō Foundation is famous. “Hearing the Spring Sound in Bamboo Grove,” which is introduced here, is also a masterpiece which represents the orthodox phase of his style. This painting reveals trends in landscape painting which can be traced back to Wu Chên and Chü-jan through Hsia Shih-ch'ên. The kinship of the style of Li Shih-ta and Hsia Shih-ch'ên, both from the same district, Wu-hsien, suggests the local development of the style of such semiprofessional painters. Further, the common features seen both in this work and works by Shêng Mao-yeh, also from Wu-hsien and one generation younger than Li Shih-ta, —— obscure atmosphere, expanding composition in wide picture plane, etc. —— suggest the influence of Li Shih-ta on the development of the style of Shên Mao-yeh. In this paper, the above mentioned presumption is discussed from stylistic point of view. | |||||
書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 261, p. 40-40, 発行日 1969-12-15 |