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There were many paintings done on cedar sliding screens in the dwelling quarters of the palace. And fifty-eight screens of them were sayed out of the fire and remain today. The execution of these paintings was carried out by many leading artists of Japanese style painting of the day. Therefore, the study of these paintings will give us a picture of an important phase of the art history of the Meiji Period.\n In the Archives and Mausolea Division of Imperial Household Agency, there is a comprehensive record of the construction project of the palace building. In the present paper the writer introduces and discusses the paintings quoting the materials in this record.\n The palace built then, which we often call the Meiji Palace, was consisted of the public section and the private section which were connected by a long corridor. The private section, or the dwelling quarters, also had many wings surrounded and interconnected by corridors. The cedar sliding screens were used, mostly in pairs, as partitions in these corridors.\n The subjects and the artists of the paintings on the existing cedar screens are as follows.\n Wing for the use of Emperor : 1) Chrysanthemums and Cocks; A Monkey in a Mountain Valley —— Yūkoku Noguchi. 2) A Peacock and a Peahen among Peonies ; Azaleas —— Yūkoku Noguchi. 3) Deer and Pines ; Daffodils —— Katei Taki. 4) Reeds and wild Geese ; Herons among Lotus Flowers —— Katei Taki. 5) Cranes under Plum Blossoms ; Bugaku Dance (Shōwaraku) —— Moriyasu Tsurusawa. 6) Bugaku Dance (Ninnaraku); Mandarin Ducks under White Plum Blossoms —— Moriyasu Tsurusawa. 7) Shrine Dance —— Moriyasu Tsurusawa ; Sasanqua Trees with Birds —— Tōsen Yamazaki. 8) Nandins in Snow ; Chrysanthemums —— Shōka Watanabe. 9) Quails and Chrysanthemums ; Bell-flowers —— Kashū Numata. 10) Arrowroot ; Bush Clovers —— Gyokuden Murase, 11) Rabits ; Japanese Pampas Grass —— Zaisen Hara. 12) A Pomegranate Tree with Birds ; Roses —— Beisen Kubota. 13) Morning Glories; Crape Myrtle Blossoms —— Shōka Watanabe. 14) Day Lilies ; Pine Trees with Magpies —— Tōsen Yamazaki. 15) Japanese Judas-trees with Blossoms ; Blue Flags —— Gakusen Ōba. 16) Irises ; Egret and Plantain lilies Zeshin Shibata.\nWing for the use of Empress : 17) A Japanese Allspice ; Lilies —— Gyokuden Murase. 18) Cherry Blossoms ; Wild Geese —— Tsurayoshi Yamana. 19) Classical Lady Poet, Ise —— Tsurayoshi Yamana ; A Time-honoured pine —— Eitoku Kanō. 20) Pink and White Plum Blossoms ; Flower Baskets —— Eitoku Kanō. 21) Bamboos; Plovers —— Eitoku Kano. 22) Yellow Roses ; Herbaceous Peonies —— Bairei Kōno. 23) Deer among Bush Clovers ; Sasanqua Blossoms —— Gyokushō Kawabata. 24) Spring in Mountain ; Autumn in Field —— Sōun Tazaki. \nWing for the use of Empress Dowager : 25) Thistles ; Floating Weeds —— Tsurayoshi Yamana. Wing for the use of Crown Prince : 26) Masashige Kusunoki at Kasagi ; Tokimune Hōjō Shooting on Horseback —— Mitate Kawabe. 27) Legend of Yōrō Waterfall ; Story of Filial Piety of Crows —— Mitate Kawabe. 28) Harvest ; Kokaji, a Goldsmith, Represented in Nō Drama —— Yūbi Tanaka. 29) A Heron Flying Up; A Crane among CockscombsKotora Tanomura. \n The end of the Edo Period and the beginning of Meiji Era were stagnant periods to Japanese style painting. But after the Japanese exhibits in the International Exposition in Vienna in 1873 received a favourable reaction, Japanese gradually became to re-recognize the value of the Japanese traditional arts. In the 1880\u0027s, Ryūchikai and Kangakai, two important painters\u0027 organizations, were founded. E. Fenollosa, an American philosopher invited to Tokyo University in 1878, emphasised the merits of Japanese traditional arts and played an indispensable role in promoting these movements. It was about the same time that the Meiji palace was constructed. The cedar screen paintings for the palace had a rather conservative tendency, but among the artists who engaged in this project were some young people who made essential activities in forming the forthcoming current of Japanese painting. The year of the completion of the project was by chance the year in which the epoch-making work by Hōgai Kanō, “Kannon Bodhisattva, the Merciful Mother”, was painted.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "関, 千代"}], "nameIdentifiers": [{"nameIdentifier": "27156", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Seki, Chiyo", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "27157", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2017-10-04"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "264_1_Seki_Redacted.pdf", "filesize": [{"value": "30.1 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 30100000.0, "url": {"label": "264_1_Seki_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/6604/files/264_1_Seki_Redacted.pdf"}, "version_id": "e99f72e0-c047-43cc-8cc7-67e2e998afe2"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "野口幽谷筆菊花に鶏杉戸絵・滝和亭筆蘆雁・滝和亭筆蓮鷺・渡辺小華筆朝顔・大庭学僊筆花菖蒲・沼田荷舟筆鶉野菊・沼田荷舟筆桔梗花・原在泉筆兎・鶴沢守保筆承和楽・山崎董洤筆萱花・久保田米僊筆柘榴金衣百子(明治二十一年・宮内庁蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "“Chrysanthemums and Cocks” by Yukoku Noguchi, “Reeds and Wild Geese” by Katei Taki, “Herons among Lotus Flowers” by Katei Taki, “Morning Glories” by Shoka Watanabe, “blue Flags” by Gakusen Oba, “Quails and Chrysanthemums” by Kashu Numata, “Bell-flowers” by Kashu Numata, “Rabbits” by Zaisen Hara, “Bugaku Dance (Showaraku)” by Moriyasu Tsurusawa, “Day Lilies” by Tosen Yamazaki, “A Pomegranate Tree with Birds” by Beisen Kubota: Decorative Paintings on Cedar Screens of the Imperial Palace Built in 1888, Owned by Imperial Household Agency", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "皇居杉戸絵について", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "皇居杉戸絵について"}, {"subitem_title": "Paintings on Cedar Screens of the Meiji Palace", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1098"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6604", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6604", "relation": {}, "relation_version_is_last": true, "title": ["皇居杉戸絵について"], "weko_shared_id": 3}
皇居杉戸絵について
https://tobunken.repo.nii.ac.jp/records/6604
https://tobunken.repo.nii.ac.jp/records/660417decaf8-63d3-4500-abb9-94bf0a60ddbc
名前 / ファイル | ライセンス | アクション |
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264_1_Seki_Redacted.pdf (30.1 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 皇居杉戸絵について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Paintings on Cedar Screens of the Meiji Palace | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 野口幽谷筆菊花に鶏杉戸絵・滝和亭筆蘆雁・滝和亭筆蓮鷺・渡辺小華筆朝顔・大庭学僊筆花菖蒲・沼田荷舟筆鶉野菊・沼田荷舟筆桔梗花・原在泉筆兎・鶴沢守保筆承和楽・山崎董洤筆萱花・久保田米僊筆柘榴金衣百子(明治二十一年・宮内庁蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Chrysanthemums and Cocks” by Yukoku Noguchi, “Reeds and Wild Geese” by Katei Taki, “Herons among Lotus Flowers” by Katei Taki, “Morning Glories” by Shoka Watanabe, “blue Flags” by Gakusen Oba, “Quails and Chrysanthemums” by Kashu Numata, “Bell-flowers” by Kashu Numata, “Rabbits” by Zaisen Hara, “Bugaku Dance (Showaraku)” by Moriyasu Tsurusawa, “Day Lilies” by Tosen Yamazaki, “A Pomegranate Tree with Birds” by Beisen Kubota: Decorative Paintings on Cedar Screens of the Imperial Palace Built in 1888, Owned by Imperial Household Agency | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
関, 千代
× 関, 千代× Seki, Chiyo |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The imperial palace which was built in the twenty-first year of Meiji Era (1888), was burnt down by the air raid in World War II. There were many paintings done on cedar sliding screens in the dwelling quarters of the palace. And fifty-eight screens of them were sayed out of the fire and remain today. The execution of these paintings was carried out by many leading artists of Japanese style painting of the day. Therefore, the study of these paintings will give us a picture of an important phase of the art history of the Meiji Period. In the Archives and Mausolea Division of Imperial Household Agency, there is a comprehensive record of the construction project of the palace building. In the present paper the writer introduces and discusses the paintings quoting the materials in this record. The palace built then, which we often call the Meiji Palace, was consisted of the public section and the private section which were connected by a long corridor. The private section, or the dwelling quarters, also had many wings surrounded and interconnected by corridors. The cedar sliding screens were used, mostly in pairs, as partitions in these corridors. The subjects and the artists of the paintings on the existing cedar screens are as follows. Wing for the use of Emperor : 1) Chrysanthemums and Cocks; A Monkey in a Mountain Valley —— Yūkoku Noguchi. 2) A Peacock and a Peahen among Peonies ; Azaleas —— Yūkoku Noguchi. 3) Deer and Pines ; Daffodils —— Katei Taki. 4) Reeds and wild Geese ; Herons among Lotus Flowers —— Katei Taki. 5) Cranes under Plum Blossoms ; Bugaku Dance (Shōwaraku) —— Moriyasu Tsurusawa. 6) Bugaku Dance (Ninnaraku); Mandarin Ducks under White Plum Blossoms —— Moriyasu Tsurusawa. 7) Shrine Dance —— Moriyasu Tsurusawa ; Sasanqua Trees with Birds —— Tōsen Yamazaki. 8) Nandins in Snow ; Chrysanthemums —— Shōka Watanabe. 9) Quails and Chrysanthemums ; Bell-flowers —— Kashū Numata. 10) Arrowroot ; Bush Clovers —— Gyokuden Murase, 11) Rabits ; Japanese Pampas Grass —— Zaisen Hara. 12) A Pomegranate Tree with Birds ; Roses —— Beisen Kubota. 13) Morning Glories; Crape Myrtle Blossoms —— Shōka Watanabe. 14) Day Lilies ; Pine Trees with Magpies —— Tōsen Yamazaki. 15) Japanese Judas-trees with Blossoms ; Blue Flags —— Gakusen Ōba. 16) Irises ; Egret and Plantain lilies Zeshin Shibata. Wing for the use of Empress : 17) A Japanese Allspice ; Lilies —— Gyokuden Murase. 18) Cherry Blossoms ; Wild Geese —— Tsurayoshi Yamana. 19) Classical Lady Poet, Ise —— Tsurayoshi Yamana ; A Time-honoured pine —— Eitoku Kanō. 20) Pink and White Plum Blossoms ; Flower Baskets —— Eitoku Kanō. 21) Bamboos; Plovers —— Eitoku Kano. 22) Yellow Roses ; Herbaceous Peonies —— Bairei Kōno. 23) Deer among Bush Clovers ; Sasanqua Blossoms —— Gyokushō Kawabata. 24) Spring in Mountain ; Autumn in Field —— Sōun Tazaki. Wing for the use of Empress Dowager : 25) Thistles ; Floating Weeds —— Tsurayoshi Yamana. Wing for the use of Crown Prince : 26) Masashige Kusunoki at Kasagi ; Tokimune Hōjō Shooting on Horseback —— Mitate Kawabe. 27) Legend of Yōrō Waterfall ; Story of Filial Piety of Crows —— Mitate Kawabe. 28) Harvest ; Kokaji, a Goldsmith, Represented in Nō Drama —— Yūbi Tanaka. 29) A Heron Flying Up; A Crane among CockscombsKotora Tanomura. The end of the Edo Period and the beginning of Meiji Era were stagnant periods to Japanese style painting. But after the Japanese exhibits in the International Exposition in Vienna in 1873 received a favourable reaction, Japanese gradually became to re-recognize the value of the Japanese traditional arts. In the 1880's, Ryūchikai and Kangakai, two important painters' organizations, were founded. E. Fenollosa, an American philosopher invited to Tokyo University in 1878, emphasised the merits of Japanese traditional arts and played an indispensable role in promoting these movements. It was about the same time that the Meiji palace was constructed. The cedar screen paintings for the palace had a rather conservative tendency, but among the artists who engaged in this project were some young people who made essential activities in forming the forthcoming current of Japanese painting. The year of the completion of the project was by chance the year in which the epoch-making work by Hōgai Kanō, “Kannon Bodhisattva, the Merciful Mother”, was painted. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 264, p. 1-32, 発行日 1970-03-20 |