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アイテム
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研究資料 祁豸佳の生年
https://tobunken.repo.nii.ac.jp/records/6619
https://tobunken.repo.nii.ac.jp/records/6619150f8666-8fcb-40f3-a2de-24f990127838
名前 / ファイル | ライセンス | アクション |
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269_36_Kawakami_Redacted.pdf (5.0 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 研究資料 祁豸佳の生年 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Material for Art Research: The Date of Birth of Ch’i Chih-chia | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 祁豸佳筆倣巨然山水図(東京 繭山龍泉堂蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Landscape after Chu Jan” by Ch’i Chih-chia, Owned by Mayuyama and Company, Tokyo | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
川上, 涇
× 川上, 涇× Kawakami, Kei |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Rather many of the works by Ch'i Chih-chia 祁豸佳, a literati painter who lived from the end of the Ming Period to the Ch'ing Period, remain in Japan, most of them having been illustrated in books and magazines. However, his date of birth has not been clear and, not only that, many of the biographical descriptions concerning him contain some errors about geneological relationship and the order of age between Ch'i Chih-chia and Ch'i Piao-chia 祁彪佳 (1602–45), a royalist who belonged to the same clan. Recently, a calligraphy scroll of Ch'ih-pi-fu 赤壁賊, a literary work by Su Shi, written by Ch'i Chih-chia came to be known in the collection of Mr. Huang Chün-shih and, by the inscription, “Written in the tenth month of the year of Ping-ch'en (1676). Hsieh-p'iao-tao-jên, Ch'i Chih-chia, at the age of eighty-three (丙辰孟冬書.八十三叟,雪瓢道人・祁彪佳)”, it became clear that he was born in the twenty-second year of Wan-li Era (1594). The present author, on this occasion, presents the artist's precise geneology, chronological table chiefly concerning his works, and newly found materials relating his biography. The author also introduces a painting by the artist (Pl. VI) which has not been known. Though it has not dated inscription, it is presumed to be a work of the early half of his sixties or thereabouts judging from the transition of his painting style and calligraphy known from other works of him. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 269, p. 36-39, 発行日 1970-11-10 |