WEKO3
アイテム
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He showed remarkable talent not only in painting but also in the performance of music and plays. However, it seems that his first desire was not to live this kind of artistic life. As a member of the Ch\u0027i Family in Shanyin-hsien, Chê-chiang Province, which produced many high officials, he seems to have spent a self-restrained life until the middle of his forties with the desire of passing the civil service examination. This fact is implied in his early paintings with their bland atmosphere. Following that, his philosophy of life underwent a great change. He was disappointed with his repeated failure in the examinations and, in addition to this, the fall of the Ming Dynasty made him give up the hope of entering the political field. Then he turned his interest to artistic activities and stretched his versatile talents beyond the extent that was considered normal for statesmen. 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祁豸佳の画蹟 上
https://tobunken.repo.nii.ac.jp/records/6647
https://tobunken.repo.nii.ac.jp/records/664749dc8e7b-45d0-4c2b-a514-ed475cf8f339
名前 / ファイル | ライセンス | アクション |
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279_9_Kawakami_Redacted.pdf (12.0 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 祁豸佳の画蹟 上 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Life and Painting of Ch’i Chih-chia (Part I) | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 祁豸佳筆緑陰聴泉図(滋賀 柴田源七氏蔵)・祁豸佳筆山水図(東京 某氏蔵)・祁豸佳筆谿山孤亭図(長崎 小曽根均治郎氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Hearing the Fountain under the Green” by Ch’i Chih-chia, Owned by Mr. Shibata Genshichi, Shiga / “Landscape” by Ch’i Chih-chia, Private Collection, Tokyo / “Lonesome Arbor in Mountain Valley” by Ch’i Chih-chia, Owned by Mr. Kosone Kinjiro, Nagasaki | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
川上, 涇
× 川上, 涇× Kawakami, Kei |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Ch'i Chih-chia (1594–?) was a man of letters who indulged in versatile cultural activities at the end of the Ming and the beginning of the Ch’ing Dynasty. He showed remarkable talent not only in painting but also in the performance of music and plays. However, it seems that his first desire was not to live this kind of artistic life. As a member of the Ch'i Family in Shanyin-hsien, Chê-chiang Province, which produced many high officials, he seems to have spent a self-restrained life until the middle of his forties with the desire of passing the civil service examination. This fact is implied in his early paintings with their bland atmosphere. Following that, his philosophy of life underwent a great change. He was disappointed with his repeated failure in the examinations and, in addition to this, the fall of the Ming Dynasty made him give up the hope of entering the political field. Then he turned his interest to artistic activities and stretched his versatile talents beyond the extent that was considered normal for statesmen. The present author presumes that he completed this conversion around the age of fifty-five, and it is after that time that he created specialist-like paintings with strongly individual features. Many of Ch’i Chih-chia's paintings have dates and, like those of many Ming and Ch'ing literati painters, many of his works carry inscriptions to the effect that he painted after the styles of the great artists of the Sung and Yüan periods. This claim does not mean that he faithfully imitated the styles of those painters, but it must indicate that he was inspired by them. The author divides his life into stages based seven to about eighty was the stage in which he on the painter's personal history, as follows: the was inspired by Tung Yüan and Chü-jan. And period until about fifty-seven was the stage in the period after that was the stage in which he which he was searching for early-day masters followed the styles of the “Four Great Masters” he should study. The period from about fifty- of the Late Yüan Dynasty. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 279, p. 9-18, 発行日 1972-04-15 |