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図版解説 銭杜筆 虞山草堂歩月図[大阪市立美術館蔵]
https://tobunken.repo.nii.ac.jp/records/6764
https://tobunken.repo.nii.ac.jp/records/67643f50d4eb-0af4-46f7-81de-e837152be827
名前 / ファイル | ライセンス | アクション |
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230_37_Toda_Redacted.pdf (9.7 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 図版解説 銭杜筆 虞山草堂歩月図[大阪市立美術館蔵] | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Explanation of Plate: “Strolling in Moonlight around the Yu-shan Hermitage” by Ch’ien Tu (Osaka Municipal Art Museum, Osaka) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
戸田, 禎佑
× 戸田, 禎佑× Toda, Teisuke |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | “Strolling in Moonlight around the Yü-shan Hermitage” 虞山草堂歩月図 was painted by Ch’ien Tu 銭杜 in 1812. This work is based on the elaborate, minute style which descended from Wên Chêng-ming 文徴明, in contrast to the fluent sentimental style of Tung Ch’i-ch’董其昌 and his followers. A strong interest in colour forms one of his artistic characteristics. This is also recognizable through his books Sung-hu-hua-chui 松壺画贅 and Sung-hu-hua-i 松壺画憶. In this type of painting, he tried to integrate the monochromatic tendency of the Wên Chêngming style and his own pursuit for colour effects, for which his art is historically significant, but he did not fully succeed. His experimental work in his effort to integrate the monochromatic style and his colouristic approach came at the very end of that trend of painting. It is generally believed that Ch’ien Tu was born in 1763 or 1764, but judging from the articles in Mo-lin-chin-hua 墨林今話 and Sunghu-hua-chui, the author concludes that he was born in 1761. (TODA Teisuke) |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 230, p. 37-43, 発行日 1964-03-31 |