WEKO3
アイテム
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It has not been studied thoroughly, however, how the Chinese inspiration was accepted. Believing that such studies will be valuable, the author has made some researches on the subject. The existing pieces of the Old Seto ware are numerous, and ornamental designs on them cover a wide variety. The author chose, as the basis of his researches, jars and vases which are believed to be genuine and typical, and studied designs which appear frequently on these.\n As space does not allow discussions on all individual pieces, the author herein reports only the results of his researches. Designs on them include those imitating ornaments of Chinese Lung-ch‘üan celadon and Ching-tê-chên pale-white porcelain (ying-ching) of the Southern Sung period, and of the Korean Kōrai (Koryo) celadon ; Chinese- and Korean-style ones to which Japanese-style motifs are added, or which are modified into Japanese style, and those consisting of Japnese-style motifs only. Through these designs the author found that they attest to considerably creative, original ideas of Seto potters.\n It is evident that the Old Seto pieces were made during the last part of the Kamakura Period, but the chronological order of individual specimens is hard to tell ; it is therefore impossible exactly to describe how these designs developed. Nevertheless they are very significant from the viewpoint of designs in Japanese ceramics, and in Japanese handicrafts in general.\n Pre-historic and proto-historic earthenwares are left out here. There are a few examples of Heian Period pottery which have ornaments in line-engraving, but the Old Seto ware has no ornaments either similar to or apparently derived from them. Furthermore, pottery pieces with decorative patterns prior to the Kamakura Period are mostly in shapes imitating those of metal objects, and their patterns, also following metal examples, are hardly ones peculiar to pottery. Designs on the Old Seto ware, however, are desings characteristic of ceramics, and are diferent in character from earlier ones. It cannot be denied that the tradition of the Sué Type Pottery of the Heian Period carried on partly into the Old Seto, but in decorative designs the Old Seto potters, instead of following old tradition, chose imported continental-style ornaments which they improved with their original ideas and which were laden with the vigorous spirit of the Kamakura Period of the warriors\u0027 rule. It is notable, too, that designs on the Old Seto ware are the first examples of pottery designs in the true sense of the term in Japan.\n Comparison of Old Seto ornaments with designs in other fields of decorative arts is interesting. In lacquer art, the Kamakura-bori imitated the effect of the Chinese carved lacquer just as the Old Seto copied continental designs, but it did not achieve notable development. Designs in maki-e lacquer and in metalwork were traditional cnes flavoured with the taste of the time. Those on mirror-backs also adhered to tradition, though only a very few of them imitated Chinese Han-style mirrors of the Sung Dynasty. The novel designs in Old Seto discussed above are remarkable achievements of the then newly-risen ceramic industry in the Seto area.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "中川, 千咲"}], "nameIdentifiers": [{"nameIdentifier": "27576", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Nakagawa, Sensaku", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "27577", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2017-10-05"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "201_1_Nakagawa_Redacted.pdf", "filesize": [{"value": "18.3 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 18300000.0, "url": {"label": "201_1_Nakagawa_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/6806/files/201_1_Nakagawa_Redacted.pdf"}, "version_id": "7034f2f9-338d-4254-bd7b-d8f027c11b38"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "古瀬戸魚藻文瓶(愛知 高橋茂氏蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Vase, “Old Seto” Ware, Design of Fish and Aquatic Weeds, Coll. Mr. Takahashi Shigeru, Aichi", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "古瀬戸の文様", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "古瀬戸の文様"}, {"subitem_title": "Designs on “Old Seto” Porcelain", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1158"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6806", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6806", "relation": {}, "relation_version_is_last": true, "title": ["古瀬戸の文様"], "weko_shared_id": 3}
古瀬戸の文様
https://tobunken.repo.nii.ac.jp/records/6806
https://tobunken.repo.nii.ac.jp/records/68060d1f5f35-6524-4ab4-ab8c-5889da4cbf7c
名前 / ファイル | ライセンス | アクション |
---|---|---|
201_1_Nakagawa_Redacted.pdf (18.3 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 古瀬戸の文様 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Designs on “Old Seto” Porcelain | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 古瀬戸魚藻文瓶(愛知 高橋茂氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Vase, “Old Seto” Ware, Design of Fish and Aquatic Weeds, Coll. Mr. Takahashi Shigeru, Aichi | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
中川, 千咲
× 中川, 千咲× Nakagawa, Sensaku |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | It is widely known that the porcelain ware called Ko (Old) Seto, produced in the Seto area around the thirteenth and fourteenth centuries, shows the influence of Sung China in its shapes and designs. It has not been studied thoroughly, however, how the Chinese inspiration was accepted. Believing that such studies will be valuable, the author has made some researches on the subject. The existing pieces of the Old Seto ware are numerous, and ornamental designs on them cover a wide variety. The author chose, as the basis of his researches, jars and vases which are believed to be genuine and typical, and studied designs which appear frequently on these. As space does not allow discussions on all individual pieces, the author herein reports only the results of his researches. Designs on them include those imitating ornaments of Chinese Lung-ch‘üan celadon and Ching-tê-chên pale-white porcelain (ying-ching) of the Southern Sung period, and of the Korean Kōrai (Koryo) celadon ; Chinese- and Korean-style ones to which Japanese-style motifs are added, or which are modified into Japanese style, and those consisting of Japnese-style motifs only. Through these designs the author found that they attest to considerably creative, original ideas of Seto potters. It is evident that the Old Seto pieces were made during the last part of the Kamakura Period, but the chronological order of individual specimens is hard to tell ; it is therefore impossible exactly to describe how these designs developed. Nevertheless they are very significant from the viewpoint of designs in Japanese ceramics, and in Japanese handicrafts in general. Pre-historic and proto-historic earthenwares are left out here. There are a few examples of Heian Period pottery which have ornaments in line-engraving, but the Old Seto ware has no ornaments either similar to or apparently derived from them. Furthermore, pottery pieces with decorative patterns prior to the Kamakura Period are mostly in shapes imitating those of metal objects, and their patterns, also following metal examples, are hardly ones peculiar to pottery. Designs on the Old Seto ware, however, are desings characteristic of ceramics, and are diferent in character from earlier ones. It cannot be denied that the tradition of the Sué Type Pottery of the Heian Period carried on partly into the Old Seto, but in decorative designs the Old Seto potters, instead of following old tradition, chose imported continental-style ornaments which they improved with their original ideas and which were laden with the vigorous spirit of the Kamakura Period of the warriors' rule. It is notable, too, that designs on the Old Seto ware are the first examples of pottery designs in the true sense of the term in Japan. Comparison of Old Seto ornaments with designs in other fields of decorative arts is interesting. In lacquer art, the Kamakura-bori imitated the effect of the Chinese carved lacquer just as the Old Seto copied continental designs, but it did not achieve notable development. Designs in maki-e lacquer and in metalwork were traditional cnes flavoured with the taste of the time. Those on mirror-backs also adhered to tradition, though only a very few of them imitated Chinese Han-style mirrors of the Sung Dynasty. The novel designs in Old Seto discussed above are remarkable achievements of the then newly-risen ceramic industry in the Seto area. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 201, p. 1-12, 発行日 1959-03-24 |