WEKO3
アイテム
{"_buckets": {"deposit": "72fd38fa-f799-408c-a6b6-f9f304aa573c"}, "_deposit": {"created_by": 3, "id": "6869", "owners": [3], "pid": {"revision_id": 0, "type": "depid", "value": "6869"}, "status": "published"}, "_oai": {"id": "oai:tobunken.repo.nii.ac.jp:00006869", "sets": ["1173"]}, "author_link": ["28567", "28566"], "item_10001_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "1962-01-24", "bibliographicIssueDateType": "Issued"}, "bibliographicIssueNumber": "216", "bibliographicPageEnd": "32", "bibliographicPageStart": "11", "bibliographic_titles": [{"bibliographic_title": "美術研究"}, {"bibliographic_title": "The bijutsu kenkyu : the journal of art studies", "bibliographic_titleLang": "en"}]}]}, "item_10001_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": " The costumes said to have been used by UESUGI Kenshin and his son Kagekatsu, preserved at the Uesugi Jinja in Yonezawa, Yamagata Prefecture and registered in November 1960 as Important Cultural Properties, are seventy-six of about ninty pieces in that group. They cover various kinds of clothing and extend in age over the Muromachi (early 14th to mid-16th centuries) and Momoyama (mid-16th to early 17th centuries) Periods. Having survived in a remarkably fine state of preservation they are rare and very valuable materials for study of the history of Japanese textile art.\n The reason why these pieces have been preserved so well, is that they had been treasured in the Uesugi family as its heirlooms and never allowed to be taken out of the house until they were donated en masse to the Uesugi Shrine after World War II. After their registration as Important Cultural Properties we started a series of detailed studies on them. We have finished examination of a part of them and are able to publish the first part of our report. This article which is the first of the series of report describes a dōbuku (a coat worn over the kosode type kimono) which is said to have been used by the military lord UESUGI Kenshin (1530–1578).\n As will be seen in Plates I and II, this dōbuku consists of many fragmentary pieces of cloths of various different kinds sewn together. The excellent design of this patchwork has made the dōbuku so widely known. Heretofore, however, there has been a question regarding whether or not it has remained intact in its original shape. There are reasons why this particular piece alone among the many costumes has been suspected: it consists of cloth pieces some of which are lined (the lining of this dōbuku is of paper) and others which are not (the portions shaded with diagonal lines in Fig. 9 are unlined parts); and the joints of the patched pieces are overlaid with bands of cloths of three different kinds but of approximately similar colours (the thick lines in Fig. 12 show the bands, and a, b and c on the lines represent the kinds of cloths used for them). These two (partial lining with paper and heterogeneous hemming) are means frequently employed in repairs of textile objects.\n The first thing we did in our recent investigation was to clarify whether the dōbuku had been retouched or not. For this purpose we examined carefully the manner how the fragmentary pieces had been sewn together, for the problems concerning the lining and hemming are closely associated with the way of tailoring. That is to say, if the dōbuku has not been retouched the order of assembling and stitching together of the pieces ought to be natural; if it has been retouched in any part there ought to be confusion in the abovementioned processes.\n In order to solve this question we disjoined in imagination the dōbuku into separate fragments. There was no irrationality in the order of disjoining (Figs. 1-3) and we found that the coat consisted of 157 fragments which were joined into nineteen vertical strips in the manner and order of joining as shown in Table 2, and that the nineteen strips were subsequently joined together in a natural order as illustrated in Figs. 3, 2 and 1 in turn (1-28). There was no trace of retouchment evidenced in this process and it has been made clearly known that the dōbuku has remained intact.\n The beauty of this dōbuku and the details of its patchwork will be discussed in the coming issue.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "神谷, 榮子"}, {"creatorName": "[神谷栄子・田実栄子]", "creatorNameLang": "ja-Kana"}], "nameIdentifiers": [{"nameIdentifier": "28566", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Kamiya, Eiko", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "28567", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2021-04-23"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "216_11_Kamiya_Redacted.pdf", "filesize": [{"value": "9.5 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 9500000.0, "url": {"label": "216_11_Kamiya_Redacted", "url": "https://tobunken.repo.nii.ac.jp/record/6869/files/216_11_Kamiya_Redacted.pdf"}, "version_id": "a48354ec-ec44-4d3d-80b4-477a7c3725ba"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "金銀欄緞子等縫合胴服(伝上杉謙信所用)(米沢市 上杉神社蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin, Owned by Uesugi Jinja, Yonezawa", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "伝上杉謙信所用金銀欄緞子等縫合胴服について 上―伝上杉謙信・上杉景勝所用服飾類調査報告一―", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "伝上杉謙信所用金銀欄緞子等縫合胴服について 上―伝上杉謙信・上杉景勝所用服飾類調査報告一―"}, {"subitem_title": "The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (I): Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1173"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/6869", "pubdate": {"attribute_name": "公開日", "attribute_value": "2017-10-05"}, "publish_date": "2017-10-05", "publish_status": "0", "recid": "6869", "relation": {}, "relation_version_is_last": true, "title": ["伝上杉謙信所用金銀欄緞子等縫合胴服について 上―伝上杉謙信・上杉景勝所用服飾類調査報告一―"], "weko_shared_id": 3}
伝上杉謙信所用金銀欄緞子等縫合胴服について 上―伝上杉謙信・上杉景勝所用服飾類調査報告一―
https://tobunken.repo.nii.ac.jp/records/6869
https://tobunken.repo.nii.ac.jp/records/68694f57ee8a-af40-49f0-ab92-37c931d63b55
名前 / ファイル | ライセンス | アクション |
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216_11_Kamiya_Redacted (9.5 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2017-10-05 | |||||
タイトル | ||||||
タイトル | 伝上杉謙信所用金銀欄緞子等縫合胴服について 上―伝上杉謙信・上杉景勝所用服飾類調査報告一― | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin (I): Report on Costumes Said to Have Been Used by Uesugi Kenshin and Uesugi Kagekatsu | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 金銀欄緞子等縫合胴服(伝上杉謙信所用)(米沢市 上杉神社蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Dobuku in Patchwork of Gold Brocade, Silver Brocade and Other Cloths Reportedly Used by Uesugi Kenshin, Owned by Uesugi Jinja, Yonezawa | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
神谷, 榮子
× 神谷, 榮子× Kamiya, Eiko |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The costumes said to have been used by UESUGI Kenshin and his son Kagekatsu, preserved at the Uesugi Jinja in Yonezawa, Yamagata Prefecture and registered in November 1960 as Important Cultural Properties, are seventy-six of about ninty pieces in that group. They cover various kinds of clothing and extend in age over the Muromachi (early 14th to mid-16th centuries) and Momoyama (mid-16th to early 17th centuries) Periods. Having survived in a remarkably fine state of preservation they are rare and very valuable materials for study of the history of Japanese textile art. The reason why these pieces have been preserved so well, is that they had been treasured in the Uesugi family as its heirlooms and never allowed to be taken out of the house until they were donated en masse to the Uesugi Shrine after World War II. After their registration as Important Cultural Properties we started a series of detailed studies on them. We have finished examination of a part of them and are able to publish the first part of our report. This article which is the first of the series of report describes a dōbuku (a coat worn over the kosode type kimono) which is said to have been used by the military lord UESUGI Kenshin (1530–1578). As will be seen in Plates I and II, this dōbuku consists of many fragmentary pieces of cloths of various different kinds sewn together. The excellent design of this patchwork has made the dōbuku so widely known. Heretofore, however, there has been a question regarding whether or not it has remained intact in its original shape. There are reasons why this particular piece alone among the many costumes has been suspected: it consists of cloth pieces some of which are lined (the lining of this dōbuku is of paper) and others which are not (the portions shaded with diagonal lines in Fig. 9 are unlined parts); and the joints of the patched pieces are overlaid with bands of cloths of three different kinds but of approximately similar colours (the thick lines in Fig. 12 show the bands, and a, b and c on the lines represent the kinds of cloths used for them). These two (partial lining with paper and heterogeneous hemming) are means frequently employed in repairs of textile objects. The first thing we did in our recent investigation was to clarify whether the dōbuku had been retouched or not. For this purpose we examined carefully the manner how the fragmentary pieces had been sewn together, for the problems concerning the lining and hemming are closely associated with the way of tailoring. That is to say, if the dōbuku has not been retouched the order of assembling and stitching together of the pieces ought to be natural; if it has been retouched in any part there ought to be confusion in the abovementioned processes. In order to solve this question we disjoined in imagination the dōbuku into separate fragments. There was no irrationality in the order of disjoining (Figs. 1-3) and we found that the coat consisted of 157 fragments which were joined into nineteen vertical strips in the manner and order of joining as shown in Table 2, and that the nineteen strips were subsequently joined together in a natural order as illustrated in Figs. 3, 2 and 1 in turn (1-28). There was no trace of retouchment evidenced in this process and it has been made clearly known that the dōbuku has remained intact. The beauty of this dōbuku and the details of its patchwork will be discussed in the coming issue. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 216, p. 11-32, 発行日 1962-01-24 |