WEKO3
アイテム
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フュウザン会
https://tobunken.repo.nii.ac.jp/records/6919
https://tobunken.repo.nii.ac.jp/records/69194af157f9-b285-47f9-9b14-be5983ebd2dc
名前 / ファイル | ライセンス | アクション |
---|---|---|
185_41_Oka_Redacted.pdf (10.7 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | フュウザン会 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Fusain Society | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 斎藤與理・雑草会・アブサント会 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | The Fusain Society | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
岡, 畏三郎
× 岡, 畏三郎× Oka, Isaburo |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Fusain Society is the first estblishment of Post Impressionism in Japan, organized by young artists in 1912. The participants, centerring around the two young leaders, TAKAMURA Kōtarō the sculptor and SAITŌ Yori the painter, were thirty-two nameless students such as KISHIDA Ryūsei, YOROZU Tetsugorō, KIMURA Shōhachi, HAZAMA Inosuke, and KOBAYASHI Tokusaburō, as well as Bernard Leach. It was a group of youthful artists who were dissatisfied with the academic description of natural forms in the style of the Education Ministry Art Exhibition, and who were impressed by stern idiosyncrasy and devotion to the establishment of “self” exemplified by Van Gogh, Gauguin and other Western artists whose works were introduced at the time on the literary magazines, Shirakaba and Subaru. The Fusain Society had its first exhibition in October 1912. The exhibition attracted attention of the public as the first one of Post Impressionism in this country. Its second exhibition was held in March 1913. Shortly after this second show, the Society was disbarded due to the conflict between some of its members who tried to utilize the Society as a means of social movement ard others who wanted to keep it purely devoted to fine arts. The passionate fire ard bold, idiosyncratic expression of the Fusain artists infused a fresh air into the art world of Japan in the late Meiji period in which the crystalized academism had been dominant. The Fusain Society was organized by unknown young artists, and the period of its activity was only too short, but it played a very important part in leading to the rew evolution of Japanese Western-style painting in the following Taishō period (1912-1925). |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 185, p. 41-49, 発行日 1956-09-07 |