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Andrews, about the wall-paintings from Central Asia brought by Sir Stein and now held by the Central Asian Antiquities Museum in New Dehli, has introduced new informations about the cave-temples at Bäzäklik, which cause it necessary for the present writer to give some supplements to his previous articles about the wall-paintings from the Caves Nos. 19, 20, 4, and 11(Nos. CXXII, CXXVI, CXXXVIII, and CLVI of the Bijutsu Kenkyu).\n Regarding the Cave No. 19, it can be asserted that the Pl. XXVIII J-K in Mr. Andrews\u0027 book is from the same wall as the fragments of Arhat figures in the Ōtani Collection, in Seoul and in Port Arthur, and that this wall is the one located opposite of the wall shown in the Pl. XXV in Mr. Andrews\u0027 book, these two walls flanking the clay figure of Buddha in nirvana in the innermost part of the cave. Apropos of this, there has been discovered in the Ōtani Collection a fragment of an Arhat image (Plate IV Right) very much similar with the upper half of an Arhat in the Seoul Museum. By consulting the report by Prof. Grünwedel this can perhaps be ascribed to the Cave No. 20.\n Regarding the Cave No. 4, the previous article by the present writer only stated that the Ōtani Collection contains four fragments of wall-paintings from its cella (hall), but he finds that the D of Pl. XIV C-D among the many wall-paintings in its corridor introduced by Mr. Andrews corresponds to the fragments in the Ōtani Collection and in Seoul (Plate I Left).\n Mr. Andrews introduces the Pl. XXXI A-D as from the Cave No. 40. These are all but similar to the fragments from the Cave No. 11 in the Ōtani Collection, which Prof. Hackin had ascribed to the Cave No. 40. 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ペゼクリク諸窟寺将来の壁画補遺
https://tobunken.repo.nii.ac.jp/records/7017
https://tobunken.repo.nii.ac.jp/records/7017e1917715-28e1-4f47-a46d-2a00980964dc
名前 / ファイル | ライセンス | アクション |
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170_16_Kumagai_Redacted.pdf (12.9 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | ペゼクリク諸窟寺将来の壁画補遺 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Supplement to “Wall-paintings Brought from Cave-temples at Bazaklik” | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 大谷探検隊 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Supplement to “Wall-paintings Brought from Cave-temples at Bazaklik” | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
熊谷, 宣夫
× 熊谷, 宣夫× Kumagai, Nobuo |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The publication of the Wall Paintings from Ancieni Shrines in Central Asia, London, 1948, by Mr. J. H. Andrews, about the wall-paintings from Central Asia brought by Sir Stein and now held by the Central Asian Antiquities Museum in New Dehli, has introduced new informations about the cave-temples at Bäzäklik, which cause it necessary for the present writer to give some supplements to his previous articles about the wall-paintings from the Caves Nos. 19, 20, 4, and 11(Nos. CXXII, CXXVI, CXXXVIII, and CLVI of the Bijutsu Kenkyu). Regarding the Cave No. 19, it can be asserted that the Pl. XXVIII J-K in Mr. Andrews' book is from the same wall as the fragments of Arhat figures in the Ōtani Collection, in Seoul and in Port Arthur, and that this wall is the one located opposite of the wall shown in the Pl. XXV in Mr. Andrews' book, these two walls flanking the clay figure of Buddha in nirvana in the innermost part of the cave. Apropos of this, there has been discovered in the Ōtani Collection a fragment of an Arhat image (Plate IV Right) very much similar with the upper half of an Arhat in the Seoul Museum. By consulting the report by Prof. Grünwedel this can perhaps be ascribed to the Cave No. 20. Regarding the Cave No. 4, the previous article by the present writer only stated that the Ōtani Collection contains four fragments of wall-paintings from its cella (hall), but he finds that the D of Pl. XIV C-D among the many wall-paintings in its corridor introduced by Mr. Andrews corresponds to the fragments in the Ōtani Collection and in Seoul (Plate I Left). Mr. Andrews introduces the Pl. XXXI A-D as from the Cave No. 40. These are all but similar to the fragments from the Cave No. 11 in the Ōtani Collection, which Prof. Hackin had ascribed to the Cave No. 40. The fact proves that the present writer's opinion refuting Prof. Hackin was right. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 170, p. 16-28, 発行日 1953-10-05 |