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Moreoever, the author has examined the phonetic transcription (on-in hyoki) as well as those parts of the text which do not correspond to the traditional rules governing the use of words. The autohr also studied the method od adapting the novel to scroll form. From the results of this study he has noticed that the sentences have been considerably corrected in order to make them more effective and to adjust the climax of the written text to the climax occuring in the painting. 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源氏物語絵巻の詞書について
https://tobunken.repo.nii.ac.jp/records/7032
https://tobunken.repo.nii.ac.jp/records/703251772733-1154-4a36-9824-b98dd8b993d7
名前 / ファイル | ライセンス | アクション |
---|---|---|
174_67_Nakamura_Redacted.pdf (11.3 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 源氏物語絵巻の詞書について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Studies on the Text of the Genji Monogatari Scroll Paintings | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 源氏物語絵巻(東京 徳川黎明会蔵)・源氏物語絵巻柏木詞書断簡(書芸文化院蔵・岸家旧蔵田中親美氏模本) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Studies on the Text of the Genji Monogatari Scroll Paintings | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
中村, 義雄
× 中村, 義雄× Nakamura, Yoshio |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Genji Monogatari scroll painting is considered to be the high point of the Japanese picture scroll. Furthermore, textual fraguments used in explanation of the illustrations are the oldest texts of the novel in existence. They are even older than the texts belonging to the groups known at the Aobyōshi-bon and the Kawachi-bon. The present autohr intends, at some future date, to use these scroll texts as material for the study of the novel text. It is his intention to study the method of combining the literary and the artistic (painting) in the scroll form, and how they are interrelated. The present study is the report of a basic, textual examination which may be considered as the first step in the direction of a more profound study of the problems involved. It has been notoed that in the scroll texts there are characters omitted or doubled : mistaken characters are sometimes used. Thus the author concludes that the one who was responsible for the calligraphy of the scroll was different from the one who composed the explanaory text by chosing parts of the novel text. Moreoever, the author has examined the phonetic transcription (on-in hyoki) as well as those parts of the text which do not correspond to the traditional rules governing the use of words. The autohr also studied the method od adapting the novel to scroll form. From the results of this study he has noticed that the sentences have been considerably corrected in order to make them more effective and to adjust the climax of the written text to the climax occuring in the painting. By comparing the sentences of the scroll to those of the texts of the two above mentioned groups, the authoer has made note of all the variants : he has examinrd the scroll text in order to ascertain to what present-day texts it is most closely related and he has, by means of a few examples, shown the relationship which exists. | |||||
書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 174, p. 67-80, 発行日 1954-03-30 |