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Korea in the late Koryö Dynasty had an architectural style evidently distinguished from other styles. This style can not be found in older Korean architecture, and has characteristics in the technique of details in common with the Tenjiku-yō. There has been no research made heretofore regarding when and how these Tenjiku-yō elements were brought to Korea. The writer\u0027s interpretation is as summarised below.\n The Tenjiku-yō Style was probably introduced to Korea in the tenth through thirteenth centuries by Chinese merchants from Ch\u0027üan-chou, particularly in the beginning of the Yüan Dynasty of China when the Korean Koryö government, driven by the Yüan Mongol invasion, was taking refuge in Kang-hwa Island. High officials of the Koryö government at the time were leading extremely luxurious life afforded by enormous profit obtained through trade with those merchants from Ch\u0027üan-chou. It was during this period that the great number of wood blocks for printing the Tripitaka (complete set of Buddhist scriptures) were made. The grand Son Won Sa Monastery also was built in the period. Most likely it was in this monastery that the architectural style of Ch\u0027üan-chou, that is, the Tenjiku-yō Style, was used for the first time in Korea.\n Unlike the cases of the Tenjiku-yō in Japan or of the Chinese monasteries at Ch\u0027uan-chou such as the K\u0027ai-yüan-ssŭ and Shih-t’a-ssŭ, the Tenjiku-yō in Korea was not employed for the whole of a building : its use was limited to such detail parts as the sara-to (wood blocks in the eaves-support bracket system, with singular moulding), tōri-hijiki (long braces passing through top portions of pillars) and kōryō (tie-beams showing peculiar curves). 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朝鮮建築に見る天竺様の伝来について
https://tobunken.repo.nii.ac.jp/records/7037
https://tobunken.repo.nii.ac.jp/records/70372db4cb01-804f-41db-90f8-32e4f544452d
名前 / ファイル | ライセンス | アクション |
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175_22_Sugiyama_Redacted.pdf (19.6 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 朝鮮建築に見る天竺様の伝来について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Derivation of the Tenjiku-yo Style in Korean Architecture | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | The Derivation of the Tenjiku-yo Style in Korean Architecture | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
杉山, 信三
× 杉山, 信三× Sugiyama, Shinzo |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Tenjiku-yō Style of architecture adopted in Japanese temples in the late twelfth century is considered to have been transmitted from South China, especially from Ch'uan-chou (called Zayton in early times). Korea in the late Koryö Dynasty had an architectural style evidently distinguished from other styles. This style can not be found in older Korean architecture, and has characteristics in the technique of details in common with the Tenjiku-yō. There has been no research made heretofore regarding when and how these Tenjiku-yō elements were brought to Korea. The writer's interpretation is as summarised below. The Tenjiku-yō Style was probably introduced to Korea in the tenth through thirteenth centuries by Chinese merchants from Ch'üan-chou, particularly in the beginning of the Yüan Dynasty of China when the Korean Koryö government, driven by the Yüan Mongol invasion, was taking refuge in Kang-hwa Island. High officials of the Koryö government at the time were leading extremely luxurious life afforded by enormous profit obtained through trade with those merchants from Ch'üan-chou. It was during this period that the great number of wood blocks for printing the Tripitaka (complete set of Buddhist scriptures) were made. The grand Son Won Sa Monastery also was built in the period. Most likely it was in this monastery that the architectural style of Ch'üan-chou, that is, the Tenjiku-yō Style, was used for the first time in Korea. Unlike the cases of the Tenjiku-yō in Japan or of the Chinese monasteries at Ch'uan-chou such as the K'ai-yüan-ssŭ and Shih-t’a-ssŭ, the Tenjiku-yō in Korea was not employed for the whole of a building : its use was limited to such detail parts as the sara-to (wood blocks in the eaves-support bracket system, with singular moulding), tōri-hijiki (long braces passing through top portions of pillars) and kōryō (tie-beams showing peculiar curves). We can presume two reasons for this fact: that the Korean people, architects included, respect tradition, and are slow to accept novelties; and that Korea in that period was not in an ordinary situation. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 175, p. 22-38, 発行日 1954-09-10 |