WEKO3
アイテム
{"_buckets": {"deposit": "2686028d-733d-43e9-b7d5-93890e7e06e6"}, "_deposit": {"created_by": 3, "id": "7049", "owners": [3], "pid": {"revision_id": 0, "type": "depid", "value": "7049"}, "status": "published"}, "_oai": {"id": "oai:tobunken.repo.nii.ac.jp:00007049", "sets": ["1217"]}, "author_link": ["28463", "28465", "28464", "28462"], "item_10001_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "1955-02-05", "bibliographicIssueDateType": "Issued"}, "bibliographicIssueNumber": "177", "bibliographicPageEnd": "44", "bibliographicPageStart": "40", "bibliographic_titles": [{"bibliographic_title": "美術研究"}, {"bibliographic_title": "The bijutsu kenkyu : the journal of art studies", "bibliographic_titleLang": "en"}]}]}, "item_10001_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": " The hama-matsu, or pine-trees growing on seashore, has been one of typical subjects of Yamato-e paintings. It is known, from literary sources, this subject was employed frequently since early times for paintings on sliding-doors and folding-screens, but none of the existing specimens date back to the “Middle Ages.”\n There are, however, not a few examples of hama-matsu doors and screens in minified versions depicted in indoor scenes of scroll-paintings of the later part of the Kamakura and the Yoshino Period, such as, for example, the “Kasuga Gongen Reigen-ki” (1309), “Hōnen Shōnin E-den” (late Kamakura), “Boki E-kotoba” (1351) and “Ishiyama-dera Engi” (1375). Study on these miniature reproductions proves that the actual door and screen paintings of this motif, from which they were copied, were in a transitional epoch from those of the traditional, descriptive . compositions as described in literary pieces to those of more dynamic, decorative compositions characteristic of “early modern” periods (Momoyama and Edo Periods). In other words, the “early modern” style of hama-matsu pictures made its appearance in an embryonic form around the Yoshino Period.\n It has heretofore been hard to trace how the style of hama-matsu paintings developed during the following Muromachi Period, as there has been known no actual example of the sort which can be dated back to earlier than the Momoyama Period. The recent discovery of the Hama-matsu Screen in the collection of Mr. Chūzaburō Satomi was a significant occurence by which the gap between the Yoshino and Momoyama Periods was covered.\n The piece in the Satomi Collection is in a pair of six-leaf folding screens, painted in colour on paper. It follows the mode of the traditional landscape depiction of the Yamato-e school, but at the same time it reveals a tendency to evolve the fashion of decorative screen-painting. Compared with the hama-matsu screens of the Momoyama and early part of Edo Periods, this is older and more dignified in style, resembling, in general effect, one of the Muromachi Period of screens of “Landscapes with the Sun and the Moon” in the collection of the Tokyo National Museum; although this latter screen deals with a subject different from that of the hama-matsu screen, it also depicts, in part, the scene of pine-trees growing on seashore. These facts suggest that the said screen in the Satomi Collection belongs, in all possibility, to the Muromachi Period. Judging from the stylistic development of hama-matsu pictures as suggested by the above-mentioned scroll-painings, the present writer puts the age of this screen to an epoch slightly earlier than the Bummei era (1469-1486), the era in which the Tosa School style was established by Tosa Mitsunobu.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "持丸, 一夫"}], "nameIdentifiers": [{"nameIdentifier": "28462", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "田中, 一松"}], "nameIdentifiers": [{"nameIdentifier": "28463", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Mochimaru, Kazuo", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "28464", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Tanaka, Ichimatsu", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "28465", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-12-27"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "177_40_Mochimaru_Redacted.pdf", "filesize": [{"value": "6.7 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 6700000.0, "url": {"label": "177_40_Mochimaru_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/7049/files/177_40_Mochimaru_Redacted.pdf"}, "version_id": "d52013a7-ef17-4d9e-a46c-88e540e7e1ae"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "初期障屏画・やまと絵屏風", "subitem_subject_scheme": "Other"}, {"subitem_subject": "The “Pine-trees on Beach” Motifs Found on Screen-paintings", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "浜松図屏風について", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "浜松図屏風について"}, {"subitem_title": "The “Pine-trees on Beach” Motifs Found on Screen-paintings", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1217"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/7049", "pubdate": {"attribute_name": "公開日", "attribute_value": "2016-12-27"}, "publish_date": "2016-12-27", "publish_status": "0", "recid": "7049", "relation": {}, "relation_version_is_last": true, "title": ["浜松図屏風について"], "weko_shared_id": 3}
浜松図屏風について
https://tobunken.repo.nii.ac.jp/records/7049
https://tobunken.repo.nii.ac.jp/records/70499def526d-167b-4f9a-975d-d93b4d07c38a
名前 / ファイル | ライセンス | アクション |
---|---|---|
177_40_Mochimaru_Redacted.pdf (6.7 MB)
|
Item type | 学術雑誌論文 / Journal Article(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 浜松図屏風について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The “Pine-trees on Beach” Motifs Found on Screen-paintings | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 初期障屏画・やまと絵屏風 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | The “Pine-trees on Beach” Motifs Found on Screen-paintings | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
持丸, 一夫
× 持丸, 一夫× 田中, 一松× Mochimaru, Kazuo× Tanaka, Ichimatsu |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The hama-matsu, or pine-trees growing on seashore, has been one of typical subjects of Yamato-e paintings. It is known, from literary sources, this subject was employed frequently since early times for paintings on sliding-doors and folding-screens, but none of the existing specimens date back to the “Middle Ages.” There are, however, not a few examples of hama-matsu doors and screens in minified versions depicted in indoor scenes of scroll-paintings of the later part of the Kamakura and the Yoshino Period, such as, for example, the “Kasuga Gongen Reigen-ki” (1309), “Hōnen Shōnin E-den” (late Kamakura), “Boki E-kotoba” (1351) and “Ishiyama-dera Engi” (1375). Study on these miniature reproductions proves that the actual door and screen paintings of this motif, from which they were copied, were in a transitional epoch from those of the traditional, descriptive . compositions as described in literary pieces to those of more dynamic, decorative compositions characteristic of “early modern” periods (Momoyama and Edo Periods). In other words, the “early modern” style of hama-matsu pictures made its appearance in an embryonic form around the Yoshino Period. It has heretofore been hard to trace how the style of hama-matsu paintings developed during the following Muromachi Period, as there has been known no actual example of the sort which can be dated back to earlier than the Momoyama Period. The recent discovery of the Hama-matsu Screen in the collection of Mr. Chūzaburō Satomi was a significant occurence by which the gap between the Yoshino and Momoyama Periods was covered. The piece in the Satomi Collection is in a pair of six-leaf folding screens, painted in colour on paper. It follows the mode of the traditional landscape depiction of the Yamato-e school, but at the same time it reveals a tendency to evolve the fashion of decorative screen-painting. Compared with the hama-matsu screens of the Momoyama and early part of Edo Periods, this is older and more dignified in style, resembling, in general effect, one of the Muromachi Period of screens of “Landscapes with the Sun and the Moon” in the collection of the Tokyo National Museum; although this latter screen deals with a subject different from that of the hama-matsu screen, it also depicts, in part, the scene of pine-trees growing on seashore. These facts suggest that the said screen in the Satomi Collection belongs, in all possibility, to the Muromachi Period. Judging from the stylistic development of hama-matsu pictures as suggested by the above-mentioned scroll-painings, the present writer puts the age of this screen to an epoch slightly earlier than the Bummei era (1469-1486), the era in which the Tosa School style was established by Tosa Mitsunobu. |
|||||
書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 177, p. 40-44, 発行日 1955-02-05 |