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アイテム
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The Mıng Kao Sêng Chuan (Biographies of High Priests of Ming) has an article stating that the priest Hui-jih once heard Tzŭ-t\u0027ing\u0027s lecture on T\u0027ien-s\u0027ai Buddhism at Ch\u0027ihch\u0027êng, but it can be known from the statesments in the Chi-Ku-lıao-hsü-chi and the Hsü-fo-tsu-t\u0027ung-chı that this Tzŭ-t\u0027ing associated with Hui-jih was Tzŭ-t\u0027ingHsün or Tzŭt\u0027ing Hsin. Obviouly the two Tzŭ-t\u0027ing\u0027s are different persons.\n The above-mentioned biography by Ku Ssă-li records four episodes in which it is told that Tzŭ-t\u0027ing, being a witty man, composed fine satirical poems impromptu. Two of the poems mentioned here are evidently his works in the second or third year of Chihyüan (1336 or 1337). Ku Ssă-li states that Tzŭ-t\u0027ing studied Zen Buddhism; the artist\u0027s pseudonym Tsu-po also proves that he was a Zen priest.\n As is stated in the Hung-hsiu-chi, Tzŭ-t\u0027ing loved a wandering life. It appears that he did not stay long at the Hui-chü-ssŭ Temple, but kept on tripping between Ssŭ-ming and Wu-mên. It is mistaken that the Hung-hsiu-chi as well as the Cho-kêng-lu by T\u0027ao Tsung-i and the Yen-mên-shi by Sa T\u0027ien-yang all call him “a man from Chia-ting or Wumên.”\n During the Chih-yüan era (1335-1340) he settled down in the To-pao-ssŭ Temple at Ssŭ-ming near his native place, as is known from an article written by T\u0027ien-ju Wei-tsê (the seventh volume of the collection of Wei-tsê\u0027s writings) to bid him farewell. Likely he spent his last years in seclusion there. At the same occasion the priest Ku-ying at K\u0027un-shan decicated him a farewell poen which is contained in the first volume of his Yü-shan-i-kao, and the priest Yü-li also presented him a similar poem which is found in the Hui-chi-wai-shih-chi, the collection of his poems included in the third volume of the Yüan-shish-hsüan.\n Stated above is all that can be known about the biography of Tzŭ-t\u0027ing. Regarding his art, it seems that only a few works of his paiting were known even in China. The T\u0027u-hui-pao-chien, a book on art and artists by Hsia Wên-yen, lists him along with Hsüeh ch\u0027uang, an artist renowned for his black-and-white paintings of orchids and contemporary with Tzŭ-t\u0027ing, but in this book he is not valued highly. The fact most likely proves that he was not recongnized well in his time. In Japan he is dealt with in two places, dated 1460 and 1465 respectively, in the Hekızan Nıchiroku, and thereafter mentions of his works appear in the Kundaikan Sauchōki, the Ganka Meibutsuki and a few other pieces of literature, proving that his paintings were highly esteemed in Japan in the Muromachi period.\n The painting discussed here is not mentioned in any of the above-mentioned literary sources. Having been discovered only recently, this painting, compared with a few others known heretofore, supplies us a typical specimen of his art specializing in irises. It has a poem (Fig. 1) on its upper portion composed and inscribed by the artist himself, and an illegible seal-mark (Fig. 2) and a signature reading “Tzŭ-t\u0027ing”. The poem states to the effect that the present painting sketches a bush of irises growing at Mt. Yen-tang-shan, that their leaves are sharp like the whiskers of a tiger or the blades of swords, and that the rock there appears like a body of cloud.\n The bamboo, the plum (prunus) and the orchids are favorite subjects of the “literati” school of black-and-white painting in China since the Northern Sung Dynasty. In the end of the Sung and thereafter, there appeared artists specializing in the chrysanthemum, the grape and other such plants. Many famous painters in these respective varieties of subjects are known. However, Tzŭ-t\u0027ing was the first artist who dealt exclusively with the iris (more exacfly, the Acorus gramineus Soland, a specie of the Araceae family), and after him there was none who specialized in this subject. He was a real expert of the iris subject, and the present piece is a representative example of his speciality.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "島田, 修二郎"}], "nameIdentifiers": [{"nameIdentifier": "28362", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Shimada, Shujiro", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "28363", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-12-27"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "180_1_Shimada_Redacted.pdf", "filesize": [{"value": "5.7 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 5700000.0, "url": {"label": "180_1_Shimada_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/7059/files/180_1_Shimada_Redacted.pdf"}, "version_id": "e1e02155-d0e7-4076-bf49-133d13e7ec4a"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "子庭祖柏筆石菖蒲図(神奈川 梅沢彦太郎氏蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "“Irises” by Tzu-t\u0027ing Tsu-po", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "子庭祖柏筆石菖蒲図", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "子庭祖柏筆石菖蒲図"}, {"subitem_title": "“Irises” by Tzu-t\u0027ing Tsu-po", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1220"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/7059", "pubdate": {"attribute_name": "公開日", "attribute_value": "2016-12-27"}, "publish_date": "2016-12-27", "publish_status": "0", "recid": "7059", "relation": {}, "relation_version_is_last": true, "title": ["子庭祖柏筆石菖蒲図"], "weko_shared_id": 3}
子庭祖柏筆石菖蒲図
https://tobunken.repo.nii.ac.jp/records/7059
https://tobunken.repo.nii.ac.jp/records/7059f672c0fe-e83a-4061-b78f-1bd92756e867
名前 / ファイル | ライセンス | アクション |
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180_1_Shimada_Redacted.pdf (5.7 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 子庭祖柏筆石菖蒲図 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | “Irises” by Tzu-t'ing Tsu-po | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 子庭祖柏筆石菖蒲図(神奈川 梅沢彦太郎氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | “Irises” by Tzu-t'ing Tsu-po | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
島田, 修二郎
× 島田, 修二郎× Shimada, Shujiro |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The biography of Tzŭ-t'ing, the artist of the present “Irises”, appended to the collection of his poems contained in the third volume of Yüan-shıh-hsüan (an anthology of poems edited by Ku Ssŭ-li), tells that his Buddhist name was Tsu-po, that he was born at Tung-hsien in Ssŭ-ming and was a descendant of Shih Hao, prime minister of Sung China, and that he lived either at Chia-ting or at Hui-chü-ssŭ Temple in K'un-shan. The Mıng Kao Sêng Chuan (Biographies of High Priests of Ming) has an article stating that the priest Hui-jih once heard Tzŭ-t'ing's lecture on T'ien-s'ai Buddhism at Ch'ihch'êng, but it can be known from the statesments in the Chi-Ku-lıao-hsü-chi and the Hsü-fo-tsu-t'ung-chı that this Tzŭ-t'ing associated with Hui-jih was Tzŭ-t'ingHsün or Tzŭt'ing Hsin. Obviouly the two Tzŭ-t'ing's are different persons. The above-mentioned biography by Ku Ssă-li records four episodes in which it is told that Tzŭ-t'ing, being a witty man, composed fine satirical poems impromptu. Two of the poems mentioned here are evidently his works in the second or third year of Chihyüan (1336 or 1337). Ku Ssă-li states that Tzŭ-t'ing studied Zen Buddhism; the artist's pseudonym Tsu-po also proves that he was a Zen priest. As is stated in the Hung-hsiu-chi, Tzŭ-t'ing loved a wandering life. It appears that he did not stay long at the Hui-chü-ssŭ Temple, but kept on tripping between Ssŭ-ming and Wu-mên. It is mistaken that the Hung-hsiu-chi as well as the Cho-kêng-lu by T'ao Tsung-i and the Yen-mên-shi by Sa T'ien-yang all call him “a man from Chia-ting or Wumên.” During the Chih-yüan era (1335-1340) he settled down in the To-pao-ssŭ Temple at Ssŭ-ming near his native place, as is known from an article written by T'ien-ju Wei-tsê (the seventh volume of the collection of Wei-tsê's writings) to bid him farewell. Likely he spent his last years in seclusion there. At the same occasion the priest Ku-ying at K'un-shan decicated him a farewell poen which is contained in the first volume of his Yü-shan-i-kao, and the priest Yü-li also presented him a similar poem which is found in the Hui-chi-wai-shih-chi, the collection of his poems included in the third volume of the Yüan-shish-hsüan. Stated above is all that can be known about the biography of Tzŭ-t'ing. Regarding his art, it seems that only a few works of his paiting were known even in China. The T'u-hui-pao-chien, a book on art and artists by Hsia Wên-yen, lists him along with Hsüeh ch'uang, an artist renowned for his black-and-white paintings of orchids and contemporary with Tzŭ-t'ing, but in this book he is not valued highly. The fact most likely proves that he was not recongnized well in his time. In Japan he is dealt with in two places, dated 1460 and 1465 respectively, in the Hekızan Nıchiroku, and thereafter mentions of his works appear in the Kundaikan Sauchōki, the Ganka Meibutsuki and a few other pieces of literature, proving that his paintings were highly esteemed in Japan in the Muromachi period. The painting discussed here is not mentioned in any of the above-mentioned literary sources. Having been discovered only recently, this painting, compared with a few others known heretofore, supplies us a typical specimen of his art specializing in irises. It has a poem (Fig. 1) on its upper portion composed and inscribed by the artist himself, and an illegible seal-mark (Fig. 2) and a signature reading “Tzŭ-t'ing”. The poem states to the effect that the present painting sketches a bush of irises growing at Mt. Yen-tang-shan, that their leaves are sharp like the whiskers of a tiger or the blades of swords, and that the rock there appears like a body of cloud. The bamboo, the plum (prunus) and the orchids are favorite subjects of the “literati” school of black-and-white painting in China since the Northern Sung Dynasty. In the end of the Sung and thereafter, there appeared artists specializing in the chrysanthemum, the grape and other such plants. Many famous painters in these respective varieties of subjects are known. However, Tzŭ-t'ing was the first artist who dealt exclusively with the iris (more exacfly, the Acorus gramineus Soland, a specie of the Araceae family), and after him there was none who specialized in this subject. He was a real expert of the iris subject, and the present piece is a representative example of his speciality. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 180, p. 1-6, 発行日 1955-03-31 |