WEKO3
アイテム
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Knowledge about this ware, however, has been far from being either accurate or detailed. One of the important clues to clarify the character of this ware is the close comparative study of various groups of Old Kutani works. The present article specializes, among others, in the types of ornamental designs found on the “Old Kutani” pieces. The majority of examples of this ware are dishes and bowls, and geometrical patterns play an important part in their ornamentation. Centering around these patterns the author studies the development of designs on “Old Kutani” ware.\n The main types of geometrical patterns on dishes and bowls are as illustrated by Figs. 1, 2 and 3. Fig. 1 shows a group of patterns which are used frequently and within which a stylistic evolution from simple to more elaborate can be traced. Fig. 2 is a group which are employed likewise frequently but which do not reveal any development. Fig. 3 shows patterns which are not found frequently. The simpler patterns in Fig. 1 and the patterns in Fig. 2 find their counterparts in designs on Chinese enamelled wares of late Ming to early Ch’ing Dynasties as well as on the Japanese Kakiemon and Imari wares, while the like of the intricate ones can be found less frequently on Imari and a few other wares after the Genroku era (1688–1703). Some of the more elaborate patterns must have been copied from those in other fields of decorative arts, but as far as ceramics alone are concerned they mostly appear to have been invented by the “Old Kutani” potters. There can be noticed certain chronolgical difference between the simpler and the more elaborate patterns.\n Studies on these patterns as well as on the manners of their execution suggest the development of “Old Kutani” ornamentation as follows. The earliest type was probably the one imitating the effect of the Late Ming enamelled porcelain, with a large centre medallion in graphic design surrounded by a band of sections of simple geometrical patterns resembling those on Chinese enamelled wares of the Late Ming to Early Ch\u0027ing periods. If it can be taken granted that “Old Kutani” ware began to be produced during the Jō-ō or early in the Meireki era (middle of the seventeenth century), the age of this earliest type of ornamentation was approximately around that epoch. The second to appear was the type by and large similar to the first, but with more importance attached on the rim band; the geometrical patterns therein also do not consist of simple ones alone but they frequently contain more elaborate ones as illustrated in Fig. these patterns contains the effect of Chinese Late Ming to Early ch’ing pieces to some extent, but it reveals more evident connection with early examples of Kakiemon and Imari wares.\n Concurrently with the second type, or perhaps slightly later, appeared the group with a band of rounded patterns; along with these, a Japaniscized version of the simple patterns in sections, mentioned at the beginning of this paragraph, also began to be used. They generally tended to be more conventionalized.\n Later on, the rim band was treated with even greater importance, the patterns became more conventionalized and compound, and the centre medallion began to be smaller and simpler. Some of the patterns retained the influence of the Chinese way of enclosing patterns in panels, but these, unlike in the case of the previous period in which foreign elements had been faithfully imitated, were modified into designs distinctively characteristic of the “Old Kutani” ware.\n Finally the centre medallion either disappeared or was exrtemely diminished in dimension. Its graphic design became much stylized, while the geometrical patterns in rim band tended to be more intricate. This phenomenon, on one hand, was probably the result of influence of the Imari ware as well as of the general trend of the age, but on the other hand it may be interpreted as the due destination of “Old Kutani” ornamention which had been continuously developing towards conventionalization. This last group was produced probably around the Genroku era (last part of the seventeenth century), and after it no further evolution followed, for we cannot find any example which shows a greater degree of such tendency. The fact leads the author to think that the “Old Kutani” kiln was abondoned around the Genroku era as has been believed heretofore. and that the abandonment took place suddenly.", "subitem_description_type": "Abstract"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "中川, 千咲"}], "nameIdentifiers": [{"nameIdentifier": "28364", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Nakagawa, Sensaku", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "28365", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-12-27"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "180_7_Nakagawa_Redacted.pdf", "filesize": [{"value": "13.2 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 13200000.0, "url": {"label": "180_7_Nakagawa_Redacted.pdf", "url": "https://tobunken.repo.nii.ac.jp/record/7060/files/180_7_Nakagawa_Redacted.pdf"}, "version_id": "4563a429-41aa-4176-bfe1-541817ab0cc6"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "色絵山水図大皿(東京国立博物館蔵)・色絵鶉図大皿(石川県庁蔵)・色絵木瓜形山水図大皿(某氏蔵)・色絵幾何文大皿(某氏蔵)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Notes on Designs of “Old Kutani” Porcelain", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "journal article", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "古九谷意匠の一考察", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "古九谷意匠の一考察"}, {"subitem_title": "Notes on Designs of “Old Kutani” Porcelain", "subitem_title_language": "en"}]}, "item_type_id": "10001", "owner": "3", "path": ["1220"], "permalink_uri": "https://tobunken.repo.nii.ac.jp/records/7060", "pubdate": {"attribute_name": "公開日", "attribute_value": "2016-12-27"}, "publish_date": "2016-12-27", "publish_status": "0", "recid": "7060", "relation": {}, "relation_version_is_last": true, "title": ["古九谷意匠の一考察"], "weko_shared_id": 3}
古九谷意匠の一考察
https://tobunken.repo.nii.ac.jp/records/7060
https://tobunken.repo.nii.ac.jp/records/706064cba18a-f4a6-48b8-bf48-a4773fe36054
名前 / ファイル | ライセンス | アクション |
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180_7_Nakagawa_Redacted.pdf (13.2 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 古九谷意匠の一考察 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Notes on Designs of “Old Kutani” Porcelain | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 色絵山水図大皿(東京国立博物館蔵)・色絵鶉図大皿(石川県庁蔵)・色絵木瓜形山水図大皿(某氏蔵)・色絵幾何文大皿(某氏蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Notes on Designs of “Old Kutani” Porcelain | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
中川, 千咲
× 中川, 千咲× Nakagawa, Sensaku |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The “Old Kutani” is the representative of Japanese enamelled porcelain wares. Knowledge about this ware, however, has been far from being either accurate or detailed. One of the important clues to clarify the character of this ware is the close comparative study of various groups of Old Kutani works. The present article specializes, among others, in the types of ornamental designs found on the “Old Kutani” pieces. The majority of examples of this ware are dishes and bowls, and geometrical patterns play an important part in their ornamentation. Centering around these patterns the author studies the development of designs on “Old Kutani” ware. The main types of geometrical patterns on dishes and bowls are as illustrated by Figs. 1, 2 and 3. Fig. 1 shows a group of patterns which are used frequently and within which a stylistic evolution from simple to more elaborate can be traced. Fig. 2 is a group which are employed likewise frequently but which do not reveal any development. Fig. 3 shows patterns which are not found frequently. The simpler patterns in Fig. 1 and the patterns in Fig. 2 find their counterparts in designs on Chinese enamelled wares of late Ming to early Ch’ing Dynasties as well as on the Japanese Kakiemon and Imari wares, while the like of the intricate ones can be found less frequently on Imari and a few other wares after the Genroku era (1688–1703). Some of the more elaborate patterns must have been copied from those in other fields of decorative arts, but as far as ceramics alone are concerned they mostly appear to have been invented by the “Old Kutani” potters. There can be noticed certain chronolgical difference between the simpler and the more elaborate patterns. Studies on these patterns as well as on the manners of their execution suggest the development of “Old Kutani” ornamentation as follows. The earliest type was probably the one imitating the effect of the Late Ming enamelled porcelain, with a large centre medallion in graphic design surrounded by a band of sections of simple geometrical patterns resembling those on Chinese enamelled wares of the Late Ming to Early Ch'ing periods. If it can be taken granted that “Old Kutani” ware began to be produced during the Jō-ō or early in the Meireki era (middle of the seventeenth century), the age of this earliest type of ornamentation was approximately around that epoch. The second to appear was the type by and large similar to the first, but with more importance attached on the rim band; the geometrical patterns therein also do not consist of simple ones alone but they frequently contain more elaborate ones as illustrated in Fig. these patterns contains the effect of Chinese Late Ming to Early ch’ing pieces to some extent, but it reveals more evident connection with early examples of Kakiemon and Imari wares. Concurrently with the second type, or perhaps slightly later, appeared the group with a band of rounded patterns; along with these, a Japaniscized version of the simple patterns in sections, mentioned at the beginning of this paragraph, also began to be used. They generally tended to be more conventionalized. Later on, the rim band was treated with even greater importance, the patterns became more conventionalized and compound, and the centre medallion began to be smaller and simpler. Some of the patterns retained the influence of the Chinese way of enclosing patterns in panels, but these, unlike in the case of the previous period in which foreign elements had been faithfully imitated, were modified into designs distinctively characteristic of the “Old Kutani” ware. Finally the centre medallion either disappeared or was exrtemely diminished in dimension. Its graphic design became much stylized, while the geometrical patterns in rim band tended to be more intricate. This phenomenon, on one hand, was probably the result of influence of the Imari ware as well as of the general trend of the age, but on the other hand it may be interpreted as the due destination of “Old Kutani” ornamention which had been continuously developing towards conventionalization. This last group was produced probably around the Genroku era (last part of the seventeenth century), and after it no further evolution followed, for we cannot find any example which shows a greater degree of such tendency. The fact leads the author to think that the “Old Kutani” kiln was abondoned around the Genroku era as has been believed heretofore. and that the abandonment took place suddenly. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 180, p. 7-17, 発行日 1955-03-31 |