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Shigisan in dedication to the Buddhist god Bishamon-ten. The first and last scrolls depict manners of local life of common people around Mt. Shigisan while the middle scroll, treating of the miracle worked by Myōren in praying for the recovery of the emperor\u0027s illness depicts the life of nobles in the imperial court.\n The pictures are badly discolored now so that the vigorous contours have the stronger effect and accordingly the depiction of costumes and furniture pieces in them appears to have been done quite roughly. But close observation reveals a very faithful and accurate treatment of them.\n Particularly elaborate among them is the depiction of sokutai, the official costume of courtiers. There are two kinds, military and civil of sokutai appearing in the pictures. The imperial messenger on way to Mt. Shigisan is wearing a sokutai of a military official. His indigo gown and spotted white trousers indicate he is a kurōdo or official taking care of imperial records, of the sixth court rank (p. 148). The two men listening to the information spoken by this kurōdo at the Seiryō-den (imperial residence) are clad in the sokutai of civil officials their black gowns proving they are nobles of the fourth court rank or higher (p. 144). Besides the ceremonial sokutai, a plain dress called nōshi also was used in court life by noblemen as is shown worn by a man near the two civil officials at the Seiryō-den, its lozenge diaper pattern on the gown showing it is a summer dress (p. 153).\n The above-mentioned are costumes for high officials. Officials of lower grades, such as the retainers of the kurōdo, are lightly dressed in kariginu, close-collared the wide cuffs hemmed with cords to bind them tightly at the wrists\n Of the clothes for common people there are two kinds. Men of comparatively higher classes wear suikan resembling the kariginu in appearance, the tail of the coat tucked in under the trousers and the collar fastened on the front with cords (p. 155). Men of lower classes wear hitatare narrow-sleeved short-tailed and lapped on the front and short trousers under them (p. 155). The costume of women resembles a kosode a dress having short hanging-sleeves from which the present kimono developed but unlike kosode it has no hanging sleeve the wide cuffs left open in the style called makisode (p. 158).\n The forms of the costumes discussed above are characteristic of the twelfth century. From late in that century to the following century the sokutai came to be lacquered or starched to give angular shapes to the headgears and shoulders; the suikan used by upper-class citizenry, came to be used by knight-class men of higher ranks ; and the hitatare became the dress commonly used by people in general. Women\u0027s makisode sleeves came to have the cuffs sewn on the lower part, that is they come to have hanging sleeves like the present kimono.\n Therefore the costumes depicted in these scrolls are those of the twelfth century. On the other hand, the construction of the palace buildings in them shows the form restored in 1157 and there is shown the Grand Buddha Hall of the Tōdaiji Temple, which was burnt down in 1180. 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信貴山縁起絵巻に現れた風俗
https://tobunken.repo.nii.ac.jp/records/7141
https://tobunken.repo.nii.ac.jp/records/71412a4cad83-7351-4bdf-9a1d-0fe8b4587f87
名前 / ファイル | ライセンス | アクション |
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159_1_Suzuki_Redacted.pdf (17.9 MB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2016-12-27 | |||||
タイトル | ||||||
タイトル | 信貴山縁起絵巻に現れた風俗 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | An Essay on Japanese Costumes of the Twelfth Century Depicted in the Picture Scroll “Shigisan Engi” | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 信貴山縁起(奈良 朝護孫子寺蔵) | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | An Essay on Japanese Costumes of the Twelfth Century Depicted in the Picture Scroll “Shigisan Engi” | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
鈴木, 敬三
× 鈴木, 敬三× Suzuki, Keizo |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The scroll-painting “Shigisan Engi E-maki” illustrating legends about the history of Shigisan or the Chōgosonshi-ji Temple Nara, consisting of three serial rolls treats of miraculous deeds of Priest Myoren who built a small Buddhist hall, the present Chōgosonshi-ji, on Mt. Shigisan in dedication to the Buddhist god Bishamon-ten. The first and last scrolls depict manners of local life of common people around Mt. Shigisan while the middle scroll, treating of the miracle worked by Myōren in praying for the recovery of the emperor's illness depicts the life of nobles in the imperial court. The pictures are badly discolored now so that the vigorous contours have the stronger effect and accordingly the depiction of costumes and furniture pieces in them appears to have been done quite roughly. But close observation reveals a very faithful and accurate treatment of them. Particularly elaborate among them is the depiction of sokutai, the official costume of courtiers. There are two kinds, military and civil of sokutai appearing in the pictures. The imperial messenger on way to Mt. Shigisan is wearing a sokutai of a military official. His indigo gown and spotted white trousers indicate he is a kurōdo or official taking care of imperial records, of the sixth court rank (p. 148). The two men listening to the information spoken by this kurōdo at the Seiryō-den (imperial residence) are clad in the sokutai of civil officials their black gowns proving they are nobles of the fourth court rank or higher (p. 144). Besides the ceremonial sokutai, a plain dress called nōshi also was used in court life by noblemen as is shown worn by a man near the two civil officials at the Seiryō-den, its lozenge diaper pattern on the gown showing it is a summer dress (p. 153). The above-mentioned are costumes for high officials. Officials of lower grades, such as the retainers of the kurōdo, are lightly dressed in kariginu, close-collared the wide cuffs hemmed with cords to bind them tightly at the wrists Of the clothes for common people there are two kinds. Men of comparatively higher classes wear suikan resembling the kariginu in appearance, the tail of the coat tucked in under the trousers and the collar fastened on the front with cords (p. 155). Men of lower classes wear hitatare narrow-sleeved short-tailed and lapped on the front and short trousers under them (p. 155). The costume of women resembles a kosode a dress having short hanging-sleeves from which the present kimono developed but unlike kosode it has no hanging sleeve the wide cuffs left open in the style called makisode (p. 158). The forms of the costumes discussed above are characteristic of the twelfth century. From late in that century to the following century the sokutai came to be lacquered or starched to give angular shapes to the headgears and shoulders; the suikan used by upper-class citizenry, came to be used by knight-class men of higher ranks ; and the hitatare became the dress commonly used by people in general. Women's makisode sleeves came to have the cuffs sewn on the lower part, that is they come to have hanging sleeves like the present kimono. Therefore the costumes depicted in these scrolls are those of the twelfth century. On the other hand, the construction of the palace buildings in them shows the form restored in 1157 and there is shown the Grand Buddha Hall of the Tōdaiji Temple, which was burnt down in 1180. These facts prove, if we presume this scroll painting was done in faithful accordance with real sights, that it was worked out during the twenty-three years between 1157 and 1180. |
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書誌情報 |
美術研究 en : The bijutsu kenkyu : the journal of art studies 号 159, p. 1-20, 発行日 1951-03-20 |