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ロベルト・シューマン ヴァイオリンソナタ第2番 作品解釈の一考察 : J. S. バッハとの関連を巡って
https://doi.org/10.32150/00010833
https://doi.org/10.32150/00010833ed3f0ba4-aac6-4ebd-b48d-265f75e590e0
名前 / ファイル | ライセンス | アクション |
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73-1.2-a14.pdf (630.7 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2023-02-09 | |||||
タイトル | ||||||
タイトル | ロベルト・シューマン ヴァイオリンソナタ第2番 作品解釈の一考察 : J. S. バッハとの関連を巡って | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.32150/00010833 | |||||
ID登録タイプ | JaLC | |||||
著者 |
長岡, 聡季
× 長岡, 聡季 |
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著者別名 | ||||||
姓名 | NAGAOKA, Satoki | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This study examines the interpretation of Robert Schumann’s (1810-1856) Violin Sonata No. 2 (1851) in relation to Johann Sebastian Bach (1685-1750), the composer whom Schumann stated had most influenced him. The work contains two melodic motives: the “David Figure (DAFD)”, which is the sonification of the name of Ferdinand David, to whom the work was dedicated, in the opening movement, and the Protestant“ Choral Figure” in the middle two movements. This study focuses on the meaning of these Figures in the work and how they work to unify the whole piece. | |||||
書誌情報 |
北海道教育大学紀要. 基礎研究編 巻 73, 号 1・2, p. 171-180, 発行日 2023-01 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 27583899 | |||||
書誌レコードID | ||||||
識別子タイプ | NCID | |||||
関連識別子 | AB00000251 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
その他のタイトル | ||||||
その他のタイトル | Interpretation of Robert Schumann’s Violin Sonata No. 2 : The Relationship with J. S. Bach | |||||
出版者 | ||||||
出版者 | 北海道教育大学 |